Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
But it is an hour----that at which she had now arrived in life's short
day--it is an hour of dreams and fairy forms, in the faint, vapoury
twilight which lies between the dawn and the full day, when the rising
sun paints every mist with gold and rose-colour, and through the very
air of your existence spreads a purple light. The tears of that sweet
time are but as early dew-drops brightened into jewels by the light of
youthful hope, and the onward look of coming years, though kindled
with the first beams of passion, knows not the fiery heat of noon, nor
can conceive the arid dryness of satiety.
Blanche Marie sat and dreamed near her two cousins. At first, she
heard some of the words they spoke; but then she listened more to the
speakers in her own heart; and then she gave herself up to visions of
the future; and the outward creature remained but a fair, motionless
statue, unconscious of aught that passed around her, but full of light
and ever-varying fancies.
How passed the time none of the three knew, but it passed rapidly, and
Bianca was awakened from her reveries by the sound of a strange voice,
saying, "Pardon, sweet lady," as some one passed her, brushing lightly
against her garments, which he could not avoid touching, on his way to
Lorenzo's bedside.
"Why, how now, Visconti!" exclaimed the new-comer, "What! made a
leader, assaulted by an assassin, wounded with a poisoned weapon,
vanquisher in the fight, saved by a miracle, and nursed by two
beautiful ladies--all in twenty-four hours? By my fay, thou art a
favoured child of chivalry indeed!"
Blanche Marie looked round at the speaker, roused from her reverie
suddenly, but not unpleasantly. There was something joyous,
light-hearted, and musical in the voice that spoke, which won favour
by its very tone. Oh! there is a magic in the voice, of which we take
not account enough. Have you not often marked, reader, how one man in
a mixed company will win attention in an instant, not by the matter of
his words, not by the manner, but by the mere tone in which they are
spoken? Have you not sometimes seen two men striving to gain the ear
of a fair lady, and eloquence, and sense, and wit all fail, while
sweet tones only have prevailed? The eye and the ear are but sentries
on guard, and the fair form and the sweet tone are but as passwords to
the camp. Nay, more: some voices have their peculiar harmonies with
the hearts of individuals. One will have no sweetness in its tone to
many, while to another it will be all melody; and all this is no
strange phenomenon; it is quite natural that it should be so. Where is
the man to whom the owlet is as sweet a songster as the lark! and who
can pass the nightingale on his spray, though he may not pause a
moment by the gaudy paroquet? The blackbird's sweet, round pipe, the
thrush's evening welcome to the approaching spring, the lark's
rejoicing fugue in the blue sky, are all sweet to well-tuned ears; but
each finds readier access to some hearts than to others.
Public-domain text, read in full here on John Shaqi.
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