Leonora D'Orco: A Historical RomanceJames, G. P. R. (George Payne Rainsford)
History
Leonora D'Orco: A Historical Romance
James, G. P. R. (George Payne Rainsford)
Italy -- History -- 1492-1559 -- Fiction
The object, however, of most interest lay upon the table. It was
apparently the corpse of a man from thirty-five to forty years of age,
dressed in the garb of a retainer of some noble house. His long black
hair flowed wildly from his head, partly soiled with dust, partly
steeped with water. His dress also was wet, and the collar of his coat
as well as that of his vest seemed to have been torn rudely open. He
had apparently died a violent death: the face was of a dark waxen
yellow, and the tongue, which protruded from the mouth, had been
bitten in violent agony between the teeth. Round his neck, and
extending upwards towards the left ear, was a dark red mark,
significant of the manner of his death.
"Here, Giulo, here!" cried the elder woman, "pour the water over him
again. His eyes roll in his head. He is coming to!"
"Ah, Marie! what a face he makes," exclaimed one of the girls,
shutting out the sight with her hands.
"Poor fools! you will do more harm than good," murmured the contadino;
"let the man pass in peace! I would sooner spend twenty lire in masses
for his soul than bring him back to trouble the world any more."
"Would you have us act like tigers or devils, you old iniquity?" asked
his wife, shaking three fingers at him. "The life is in the poor man
yet. Shall we let him go out of the world without unction or
confession, for fear of what these French heretics may do to us?"
"Besides, Madonna Bianca had him cut down to save his life," cried the
girl who stood nearest his head. "You would fain please her, I trow,
father. I heard her myself pray for him to be cut down, and she will
be glad to hear we have recovered him. It was that which made me run
away for Giulio as soon as the order was given."
While this dialogue was going on, the young man, Giulio, had poured
the whole bucket of water over the recumbent body on the table,
dashing it on with a force which might well have driven the soul out
of a living man, but which, on this occasion, seemed to have the very
opposite effect of bringing spirit into a dead one. Suddenly the
eyelids closed over the staring eyes; there was a shudder passed over
the whole frame; the fingers seemed to grasp at some fancied object on
the table, and at length respiration returned, at first in fitful
gasps, but soon with regular and even quiet action. The eyes then
opened again, and turned from face to face with some degree of
consciousness; but they closed again after a momentary glance around,
and he fell into what seemed a heavy sleep, distinguished from that
still heavier sleep into which he had lately lain by the equable
heaving of the chest.
Public-domain text, read in full here on John Shaqi.
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