Lessons in Life; A Series of Familiar EssaysHolland, J. G. (Josiah Gilbert)
Philosophy
Lessons in Life; A Series of Familiar Essays
Holland, J. G. (Josiah Gilbert)
Conduct of life
This same selfishness of man will demand that I reconsider this
talk, and will accuse me of sophistry. It will declare that I do
not state the case fairly. It will say that woman needs money with
which to buy her dresses and procure her food, and strong hands to
labor for her and protect her, and that these needs do indeed
define man's duty with respect to her. But I place all this on the
ground of gallantry and humanity. Of course, we are all very glad
to do these things, you know,--we who have human feelings--but
woman has no right to them, based upon her need--particularly if
she be a woman who insists, as I do, upon her indefeasible right
to sing bass. I know that it helps things along for a woman to
look after a man's linen and buttons, and do his fine work
generally, because she seems to have a kind of natural knack at
the business. I am aware that it is exceedingly pleasant to hear a
woman sing treble, if she sings it well, but I am talking, be it
remembered, of woman's right to sing bass. Let us stick to the
question.
The enemies of this highest among the rights of woman are fond of
alluding to the fact that only here and there a woman can be found
who wishes to avail herself of her right, and practically to enter
upon the work of singing bass. The large majority of women prefer
to sing the soprano, while a few, of moderate views, adopt alto as
a kind of compromise. But what has this fact to do with the matter
of right in the premises? Most people prefer beef-steak without
onions, but I never knew that fact to be brought forward as an
argument against the right of a man to eat it with onions. It is
possible, indeed, that if people were more accustomed to eating
beef-steak with onions, or those savory vegetables were less
objectionable in their style of perfume, there would be a majority
in favor of the associated luxuries. We must remember, too, in
considering this aspect of the question, that woman is, to a
certain extent, a creature of whims. (She is exceedingly apt to
adopt a practice because it is fashionable.) If it were
fashionable for woman to sing bass, how long would it be before
the lower tones would find full development? And how long would it
be before the men themselves would repeat those words of the
immortal bard:--
"Her voice was ever soft,
Gentle and _low_,--An excellent thing in woman"?
Public-domain text, read in full here on John Shaqi.
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