"That is B," said the teacher; "B,"
drawled the boy, and so on. "That is W," said the teacher. "The devil!"
exclaimed the boy, "is that W?"
The pedantry of literature belongs to the same category. In both cases
there is a lie, when the mind, seizing a classification to help it to a
sincerer knowledge of the fact, stops in the classification; or learning
languages, and reading books, to the end of a better acquaintance with
man, stops in the languages and books: in both the learner seems to be
wise, and is not.
The same falsehood, the same confusion of the sympathies because a
pretension is not made good, points the perpetual satire against
poverty, since, according to Latin poetry and English doggerel,
Poverty does nothing worse
Than to make man ridiculous.
In this instance the halfness lies in the pretension of the parties to
some consideration on account of their condition. If the man is not
ashamed of his poverty, there is no joke. The poorest man who stands on
his manhood destroys the jest. The poverty of the saint, of the rapt
philosopher, of the naked Indian, is not comic. The lie is in the
surrender of the man to his appearance; as if a man should neglect
himself, and treat his shadow on the wall with marks of infinite
respect. It affects us oddly, as to see things turned upside down, or to
see a man in a high wind run after his hat, which is always droll. The
relation of the parties is inverted,--hat being for the moment master,
the by-standers cheering the hat. The multiplication of artificial wants
and expenses in civilized life, and the exaggeration of all trifling
forms, present innumerable occasions for this discrepancy to expose
itself. Such is the story told of the painter Astley, who, going out of
Rome one day with a party for a ramble in the Campagna, and the weather
proving hot, refused to take off his coat when his companions threw off
theirs, but sweltered on; which, exciting remark, his comrades playfully
forced off his coat, and behold on the back of his waistcoat a gay
cascade was thundering down the rocks with foam and rainbow, very
refreshing in so sultry a day,--a picture of his own, with which the
poor painter had been fain to repair the shortcomings of his wardrobe.
The same astonishment of the intellect at the disappearance of the man
out of nature, through some superstition of his house or equipage, as if
truth and virtue should be bowed out of creation by the clothes they
wore, is the secret of all the fun that circulates concerning eminent
fops and fashionists, and, in like manner, of the gay Rameau of Diderot,
who believes in nothing but hunger, and that the sole end of art,
virtue, and poetry is to put something for mastication between the upper
and lower mandibles.
Public-domain text, read in full here on John Shaqi.
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