From these remains we pass to the Circus of Caracalla, not that it was
built by that emperor, for it is probably of a much later period, but it
was known from medals that Caracalla erected a circus, and the
antiquaries could not tell where to find it, while here they had a
circus without a name. Whoever built it, it is a very interesting ruin,
because it exhibits more perfectly than any other, the arrangement of
the ancient circus. The surrounding walls are constructed like those of
the court of the mutatorium, with alternate layers of brick and small
stones; the continued vault which supported the seats, is of rubble, but
with large earthen vases in the upper part, to lighten the work. The
line of _Carceres_ which forms the square end, if I may use the word
_square_ so loosely, is oblique in position with respect to the side
walls, and curved in itself, in order to put all the chariots upon an
equality at starting; and the _spina_ for a similar reason is neither
along the middle of the arena, nor exactly parallel to one of its sides,
but so disposed that the passage gets narrower through its whole
progress. At the semicircular end is the _Porta Triumphalis_,[6] through
which the victor left the circus. The obelisk which now embellishes the
Piazza Navona, once decorated the spine of this place.
Overlooking this circus, are various ruins, of which we may reckon five
distinct fragments, each at some distance from the other; and a long
terrace, supported in part upon vaults, to one of which you still find
an entrance. The stucco is still remaining, and we observe painted lines
drawn very neatly and correctly round panels, of which the ornaments in
the middle have been taken away: from what remains, we may conclude that
the whole was well finished. Some of these fragments of edifices have
been supposed to belong to the temple of Honour and Virtue, built by
Marcellus, after the conquest of Sicily, in the year of Rome 544; for
this, however, there is not the shadow of proof, and the style of
construction, of rubble faced with brick, is similar to that of imperial
times.
Public-domain text, read in full here on John Shaqi.
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