Letters to His Son, 1748: On the Fine Art of Becoming a Man of the World and a GentlemanChesterfield, Philip Dormer Stanhope, Earl of
History
Letters to His Son, 1748: On the Fine Art of Becoming a Man of the World and a Gentleman
Chesterfield, Philip Dormer Stanhope, Earl of
Conduct of life
Proud of his popularity, he was always for assembling the people of Paris
together, thinking that he made a great figure at the head of them. The
Cardinal, who was factious enough, was wise enough at the same time to
avoid gathering the people together, except when there was occasion, and
when he had something particular for them to do. However, he could not
always check Monsieur de Beaufort; who having assembled them once very
unnecessarily, and without any determined object, they ran riot, would
not be kept within bounds by their leaders, and did their cause a great
deal of harm: upon which the Cardinal observes most judiciously, 'Que
Monsieur de Beaufort me savoit pas, que qui assemble le peuple, l'emeut'.
It is certain, that great numbers of people met together, animate each
other, and will do something, either good or bad, but oftener bad; and
the respective individuals, who were separately very quiet, when met
together in numbers, grow tumultuous as a body, and ripe for any mischief
that may be pointed out to them by the leaders; and, if their leaders
have no business for them, they will find some for themselves. The
demagogues, or leaders of popular factions, should therefore be very
careful not to assemble the people unnecessarily, and without a settled
and well-considered object. Besides that, by making those popular
assemblies too frequent, they make them likewise too familiar, and
consequently less respected by their enemies. Observe any meetings of
people, and you will always find their eagerness and impetuosity rise or
fall in proportion to their numbers: when the numbers are very great, all
sense and reason seem to subside, and one sudden frenzy to seize on all,
even the coolest of them.
Public-domain text, read in full here on John Shaqi.
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