Letters to His Son, 1750: On the Fine Art of Becoming a Man of the World and a GentlemanChesterfield, Philip Dormer Stanhope, Earl of
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Letters to His Son, 1750: On the Fine Art of Becoming a Man of the World and a Gentleman
Chesterfield, Philip Dormer Stanhope, Earl of
Conduct of life
You cannot study much in the Academy; but you may study usefully there,
if you are an economist of your time, and bestow only upon good books
those quarters and halves of hours, which occur to everybody in the
course of almost every day; and which, at the year's end, amount to a
very considerable sum of time. Let Greek, without fail, share some part
of every day; I do not mean the Greek poets, the catches of Anacreon, or
the tender complaints of Theocritus, or even the porter-like language of
Homer's heroes; of whom all smatterers in Greek know a little, quote
often, and talk of always; but I mean Plato, Aristoteles, Demosthenes,
and Thucydides, whom none but adepts know. It is Greek that must
distinguish you in the learned world, Latin alone will not: and Greek
must be sought to be retained, for it never occurs like Latin. When you
read history or other books of amusement, let every language you are
master of have its turn, so that you may not only retain, but improve in
everyone. I also desire that you will converse in German and Italian,
with all the Germans and the Italians with whom you converse at all. This
will be a very agreeable and flattering thing to them, and a very useful
one to you.
Pray apply yourself diligently to your exercises; for though the doing
them well is not supremely meritorious, the doing them ill is illiberal,
vulgar, and ridiculous.
I recommend theatrical representations to you; which are excellent at
Paris. The tragedies of Corneille and Racine, and the comedies of
Moliere, well attended to, are admirable lessons, both for the heart and
the head. There is not, nor ever was, any theatre comparable to the
French. If the music of the French operas does not please your Italian
ear, the words of them, at least, are sense and poetry, which is much
more than I can, say of any Italian opera that I ever read or heard in my
life.
I send you the inclosed letter of recommendation to Marquis Matignon,
which I would have you deliver to him as soon as you can; you will, I am
sure, feel the good effects of his warm friendship for me and Lord
Bolingbroke, who has also wrote to him upon your subject. By that, and by
the other letters which I have sent you, you will be at once so
thoroughly introduced into the best French company, that you must take
some pains if you will keep bad; but that is what I do not suspect you
of. You have, I am sure, too much right ambition to prefer low and
disgraceful company to that of your superiors, both in rank and age. Your
character, and consequently your fortune, absolutely depends upon the
company you keep, and the turn you take at Paris. I do not in the least
mean a grave turn; on the contrary, a gay, a sprightly, but, at the same
time, an elegant and liberal one.
Public-domain text, read in full here on John Shaqi.
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