MY DEAR FRIEND: I apply to you now, as to the greatest virtuoso of this, or perhaps any other age; one whose superior judgment and distinguishing eye hindered the King of Poland from buying a bad picture at Venice, and whose decisions in the realms of 'virtu' are final, and without appeal. Now to the point. I have had a catalogue sent me, 'd'une Trente a l'aimable de Tableaux des plus Grands Maitres, appartenans au Sieur Araignon Aperen, valet de chambre de la Reine, sur le quai de la Megisserie, au coin de Arche Marion'. There I observe two large pictures of Titian, as described in the inclosed page of the catalogue, No. 18, which I should be glad to purchase upon two conditions: the first is, that they be undoubted originals of Titian, in good preservation; and the other that they come cheap. To ascertain the first (but without disparaging your skill), I wish you would get some undoubted connoisseurs to examine them carefully: and if, upon such critical examination, they should be unanimously allowed to be undisputed originals of Titian, and well preserved, then comes the second point, the price: I will not go above two hundred pounds sterling for the two together; but as much less as you can get them for. I acknowledge that two hundred pounds seems to be a very small sum for two undoubted Titians of that size; but, on the other hand, as large Italian pictures are now out of fashion at Paris, where fashion decides of everything, and as these pictures are too large for common rooms, they may possibly come within the price above limited. I leave the whole of this transaction (the price excepted, which I will not exceed) to your consummate skill and prudence, with proper advice joined to them. Should you happen to buy them for that price, carry them to your own lodgings, and get a frame made to the second, which I observe has none, exactly the same with the other frame, and have the old one new gilt; and then get them carefully packed up, and sent me by Rouen.