Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
General
Library of the best American literature: Containing the lives of our authors in story form, their portraits, their homes, and their personal traits, how they worked and what they wrote; choice selections from eminent writers, embracing great American poets and novelists, foremost women in American letters, distinguished critics and essayists, our national humorists, noted journalists and magazine contributors, popular writers for young people, great orators and public lecturers
American literature
Silent it lay, with a silvery haze upon it, and fire-flies
Gleaming and floating away in mingled and infinite numbers.
Over her head the stars, the thoughts of God in the heavens,
Shone on the eyes of man, who had ceased to marvel and worship,
Save when a blazing comet was seen on the walls of that temple,
As if a hand had appeared and written upon them, “Upharsin.”
And the soul of the maiden, between the stars and the
fire-flies,
Wandered alone, and she cried, “O Gabriel! O my beloved!
Art thou so near unto me, and yet I cannot behold thee?
Art thou so near unto me, and yet thy voice does not reach me?
Ah! how often thy feet have trod this path to the prairie!
Ah! how often thine eyes have looked on the woodlands around
me!
Ah! how often beneath this oak, returning from labor,
Thou hast lain down to rest, and to dream of me in thy
slumbers.
When shall these eyes behold, these arms be folded about thee?”
Loud and sudden and near the note of a whippoorwill sounded
Like a flute in the woods; and anon, through the neighboring
thickets,
Farther and farther away it floated and dropped into silence.
“Patience!” whispered the oaks from oracular caverns of
darkness;
And, from the moonlit meadow, a sigh responded, “To-morrow!”
* * * * *
LITERARY FAME.
As a specimen of Mr. Longfellow’s prose style we present the
following extract from his “_Hyperion_,” written when the poet
was comparatively a young man.
TIME has a Doomsday-Book, upon whose pages he is continually recording
illustrious names. But, as often as a new name is written there, an
old one disappears. Only a few stand in illuminated characters never
to be effaced. These are the high nobility of Nature,――Lords of the
Public Domain of Thought. Posterity shall never question their titles.
But those, whose fame lives only in the indiscreet opinion of unwise
men, must soon be as well forgotten as if they had never been. To
this great oblivion must most men come. It is better, therefore, that
they should soon make up their minds to this: well knowing that, as
their bodies must ere long be resolved into dust again, and their
graves tell no tales of them, so must their names likewise be utterly
forgotten, and their most cherished thoughts, purposes, and opinions
have no longer an individual being among men; but be resolved and
incorporated into the universe of thought.
Public-domain text, read in full here on John Shaqi.
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