Library of the World's Best Literature, Ancient and Modern — Volume 12
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Library of the World's Best Literature, Ancient and Modern — Volume 12
Literature -- Collections
Near by in the next pavilion sit the Van Holps, with their son and
daughter (the Van Gends) from The Hague. Peter's sister is not one to
forget her promises. She has brought bouquets of exquisite hot-house
flowers for the winners.
These pavilions,--and there are others beside,--have all been erected
since daylight. That semicircular one, containing Mynheer Korbes's
family, is very pretty, and proves that the Hollanders are quite
skilled at tentmaking; but I like the Van Glecks' best,--the centre
one, striped red and white, and hung with evergreens.
The one with the blue flags contains the musicians. Those pagoda-like
affairs, decked with sea-shells and streamers of every possible hue,
are the judges' stands; and those columns and flagstaffs upon the ice
mark the limit of the race-course. The two white columns twined with
green, connected at the top by that long floating strip of drapery,
form the starting point. Those flagstaffs, half a mile off, stand at
each end of the boundary line, cut sufficiently deep to be distinct to
the skaters, though not deep enough to trip them when they turn to
come back to the starting-point.
The air is so clear, it seems scarcely possible that the columns and
flagstaffs are so far apart. Of course the judges' stands are but
little nearer together. Half a mile on the ice, when the atmosphere is
like this, is but a short distance after all, especially when fenced
with a living chain of spectators.
The music has commenced. How melody seems to enjoy itself in the open
air! The fiddles have forgotten their agony, and everything is
harmonious. Until you look at the blue tent, it seems that the music
springs from the sunshine, it is so boundless, so joyous. Only the
musicians are solemn.
Where are the racers? All assembled together near the white columns.
It is a beautiful sight,--forty boys and girls in picturesque attire,
darting with electric swiftness in and out among each other, or
sailing in pairs and triplets, beckoning, chatting, whispering, in the
fullness of youthful glee.
A few careful ones are soberly tightening their straps; others,
halting on one leg, with flushed eager faces, suddenly cross the
suspected skate over their knee, give it an examining shake, and dart
off again. One and all are possessed with the spirit of motion. They
cannot stand still. Their skates are a part of them, and every runner
seems bewitched.
Public-domain text, read in full here on John Shaqi.
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