Library of the World's Best Literature, Ancient and Modern — Volume 15
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Library of the World's Best Literature, Ancient and Modern — Volume 15
Literature -- Collections
And he pointed to the statues of the Ladies of Ancient France which
towered up, all white, in a half-circle under the trees of the
terrace. This joke, though in itself trifling, enabled me to know that
the young man called Gelis was a student at the Ecole des Chartes.
From the conversation which followed I was able to learn that his
neighbor, blond and wan almost to diaphaneity, taciturn and sarcastic,
was Boulmier, a fellow-student. Gelis and the future doctor (I hope he
will become one some day) discoursed together with much fantasy and
spirit. In the midst of the loftiest speculations they would play upon
words, and make jokes after the peculiar fashion of really witty
persons--that is to say, in a style of enormous absurdity. I need
hardly say, I suppose, that they only deigned to maintain the most
monstrous kind of paradoxes. They employed all their powers of
imagination to make themselves as ludicrous as possible, and all their
powers of reasoning to assert the contrary of common-sense. All the
better for them! I do not like to see young folks too rational.
The student of medicine, after glancing at the title of the book that
Boulmier held in his hand, exclaimed:--
"What!--you read Michelet--you?"
"Yes," replied Boulmier very gravely. "I like novels."
Gelis, who dominated both by his fine stature, imperious gestures, and
ready wit, took the book, turned over a few pages rapidly, and said:--
"Michelet always had a great propensity to emotional tenderness. He
wept sweet tears over Maillard, that nice little man who introduced
_la paperasserie_ into the September massacres. But as emotional
tenderness leads to fury, he becomes all at once furious against the
victims. There is no help for it. It is the sentimentality of the age.
The assassin is pitied, but the victim is considered quite
unpardonable. In his later manner Michelet is more Michelet than ever
before. There is no common-sense in it; it is simply wonderful!
Neither art nor science, neither criticism nor narrative; only furies
and fainting spells and epileptic fits over matters which he never
deigns to explain. Childish outcries--_envies de femme grosse!_--and a
style, my friends!--not a single finished phrase! It is astounding!"
And he handed the book back to his comrade. "This is amusing madness,"
I thought to myself, "and not quite so devoid of common-sense as it
appears. This young man, though only playing, has sharply touched the
defect in the cuirass."
But the Provencal student declared that history was a thoroughly
despicable exercise of rhetoric. According to him, the only true
history was the natural history of man. Michelet was in the right path
when he came in contact with the fistula of Louis XIV., but he fell
back into the old rut almost immediately afterwards.
Public-domain text, read in full here on John Shaqi.
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