Life and Travel in India: Being Recollections of a Journey Before the Days of RailroadsLeonowens, Anna Harriette
History
Life and Travel in India: Being Recollections of a Journey Before the Days of Railroads
Leonowens, Anna Harriette
India -- Description and travel; India -- Social life and customs
[8] The Saivi Hindoos are those who worship Siva or Shiva, one of the
Brahman Trinity, as chief god; the lingam or phallus is sacred to him.
Their chief act of worship is performed on the fourteenth night of the
dark half of every moon. They fast during the day, and at night repair
to their temples, repeat the names of their god--of which there are no
less than one thousand, all expressive of certain spiritual and physical
qualities, passions, acts, etc.--pour the leaves of the bheel tree,
sacred to Shiva, because they are heart-shaped, over the lingam, then
rub it with oil, and finally sprinkle it with consecrated water. At the
Shivaratri, or the night of Shiva, which falls once a year on a dark
night, a fair is held at the caves of Elephanta during the day, and a
night-vigil from eight o'clock till five in the morning, accompanied
with music, prayer, and other strange ceremonies.
CHAPTER IV.
Sampwallahs, or Serpent-Charmers.--Jâdoowallahs, or
Miracle-performers.--Nuzer-bundyânâ, Mesmerizers.--Yogees,
Spiritual Jugglers, and Naga-Poojmi, or Serpent-Worship, in India.
Life in the East is altogether so novel, so full of dramatic sights and
sounds, that one's curiosity seems to grow with the abundant nourishment
it finds everywhere. Now one sees a Mohammedan funeral, or the
procession of gorgeous Taboots of Moslems, or gods of the Hindoos; anon
the body of a Hindoo or a Parsee borne on an open bier by white-robed
priests, the one to be burned, the other to be abandoned to birds of
prey in their strange silent "towers of the dead." Sometimes a gay
procession of dancing-girls, followed by troops of men and elephants
richly caparisoned, waltzing all the way to the temple and keeping time
to the pipes, cymbals, and the beating of most discordant drums; at
others, a poor funeral of some low-caste person, quiet and
unpretending--an open bier, on it perhaps an only child in its every-day
soiled garments, followed by women wailing and beating their breasts and
throwing dust on their heads. This wailing is inexpressibly mournful.
One morning, as I sat at work in my room, there came floating upon the
breeze toward the "Aviary" a sharp, penetrating, and very peculiar cry.
While I listened there came another and another of these unearthly
sounds; again they were repeated, and all at once there appeared in
sight a band of half-naked men accompanied by two women and a perfectly
nude little child--all so strange and weird-looking that I almost felt
the victim of some illusion.
Public-domain text, read in full here on John Shaqi.
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