Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2) — John Shaqi
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)Alger, Horatio, Jr.
General
Life of Edwin Forrest, the American Tragedian. Volume 1 (of 2)
Alger, Horatio, Jr.
Forrest, Edwin, 1806-1872
Meanwhile, it may well be maintained that the repulsive swagger of
self-assertion sometimes seen here is a less evil than the degrading
servility and stagnant spirit of caste often seen elsewhere. The
desideratum is to construct out of the alienated races and classes
of men here thrown together, jarring with their distinctions and
prejudices, yet under conditions of unprecedented favorableness, a new
type of character, carrying in its freed and sympathetic intelligence
all the vital and spiritual traditions of humanity. There are but
two methods to this end: one, the intermingling of the varieties in
generative descent; the other, the personal assimilation of contrasting
experiences and qualities by mutual sympathetic interpretation and
assumption of them. This latter process is the very process and
business of the dramatic art. The true player is the most detached,
versatile, imaginative, and emotional style of man, most capable of
understanding, feeling with, and reproducing all other styles, best
fitted, therefore, to mediate between hostile clans and creeds and
reconcile the dissonant parts of society and the race in its final
cosmopolite harmony.
Consequently, among the public agencies of culture destined to educate
the American people out of their defects and faults into a complete
accordant manhood--if, as is fondly hoped, that happy destiny be
reserved for them--the dramatic art will have an unparalleled place
of honor assigned to it. The dogmatic Church, so busy in toothlessly
mumbling the formulas of an extinct faith that it loses sight of the
living truths of God in nature and society, will be heeded less and
less as it slowly dies its double death in drivel of words and drivel
of ceremonies. But the plastic Stage, clearing itself of its abuses and
carelessness, and receiving a new inspiration at once religious in its
sacred earnestness and artistic in its free range of recreative play,
will become more and more influential as it learns to exemplify the
various ideals of human nature and human life set off by their graded
foils, and presents the gravest teachings disguised in the finest
amusements.
Public-domain text, read in full here on John Shaqi.
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