In the democratic idea, every man is called on to be a priest and a king unto God. Church and State, in all their forms and disguises, have sought to monopolize those august rôles for a few; but the Theatre, in the examples of its great actors, has instinctively sought to fling their secrets open to the whole world; and, when fully enlightened by the Academy, it will clearly teach what it has thus far only obscurely hinted. It will reveal the hidden secrets of power and rank, the just arts of sway, and the iniquitous artifices of despotism. And it will assert the indefeasible claim of every man, so far as he wins personal fitness and desert, to have open before him a free passage through all the spheres and heights of social humanity. The greatest player is the one who can most perfectly represent the largest scale of characters, keeping each in its exact truth and grade, yet passing freely through them all. That, too, is the moral ground and essence of democracy, whose basis is thus the same as that of the dramatic art,--namely, a free and intelligent sympathy giving men the royal freedom of mankind by right of eminent domain. The priesthood and kingship of man are universal in kind, but endlessly varied in degree, no two men on earth nor no two angels in heaven having such a monotonous uniformity that they cannot be discriminated. Each one has an original stamp and relish of native personality. The law of infinite perfection, even in liberty itself, is perfect subordination in the infinite degrees of superiority.