Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
Overpowered by this unexpected refusal, the young girl sank into a
chair--when suddenly, the face of the manager was illumined by a
brilliant idea. "All may yet be well, my dear Mademoiselle--we can
reconcile every thing. We will at once come to my own relief and that of
your mother. I cannot engage _you_, but I will engage your mother; and I
will give her two hundred thousand francs ($40,000) for the first
season."
"But, sir," said the young girl, "my mother is now Countess Rossi. It is
twenty-two years since she left the stage; and how do we know whether
she still possesses the talents which made her once so celebrated?"
"As we cannot tell that, Mademoiselle, we will not ask her either to
sing or to appear on the stage. Nominally, I will engage Madame
Henriette Sontag; but it is you who will sing in her place."
The affair was at once arranged. All was signed and agreed upon, amidst
tears of tenderness and admiration in which Mr. Lumley, though he was a
manager, could not help joining. The Countess Rossi consented to the
strictest retirement during the engagement of her daughter--or rather
her own. The parties were bound to secresy by the most solemn oaths;
and this secret has been so well kept that no one has suspected the
substitution. My instincts, aided by memory, have enabled me to
penetrate this mystery, which I shall perhaps be blamed for revealing.
But I confess that I am not a little proud of having found it out. And
then I really felt it a matter of conscience not to reveal to the world
such an unexampled and unheard of instance of filial devotion.
On her entrance at the _Conservatoire_, Mademoiselle Sontag imitated so
well the manners and grace of her mother--her refinement and her
elegance--that the illusion was complete. It was the same smile--the
same winning courtesy to the public--the same undulating figure. Her
very music books, like those of her mother, were bound in rich crimson
velvet. Everybody, excepting myself, was taken in--and, like every one,
I too applauded--to the utter destruction of my gloves; and I should
certainly have split the skin of my hands as well, had it not been much
more solid than kid.
Public-domain text, read in full here on John Shaqi.
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