Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
General
Life of Henriette Sontag, Countess de Rossi.: with Interesting Sketches by Scudo, Hector Berlioz, Louis Boerne, Adolphe Adam, Marie Aycard, Julie de Margueritte, Prince Puckler-Muskau & Theophile Gautier.
Sontag, Henriette, 1806-1854
Bonini, a contralto, who quietly made her fortune in Italy, unknown to
Parisian or Londonian fame. It bears transposition without injury,
though it contains great difficulties of execution. Madame Albertazzi,
an English woman of great beauty, who acquired great celebrity and died
very young, was the first who ventured to appear in it after Sontag.
The enthusiasm for Sontag increased every night. Her gentle, unassuming
manners, her youth--she was but twenty, and looked eighteen--her
surprising beauty, the maidenly reserve of her conduct, brought to her
feet the homage of all London; the princess's robe was more than once
offered her for acceptance; a royal widower, allied with the English
throne, though a countryman of her own and now a king, offered his hand
at the risk of immense sacrifices; but she was never coquettish--never
prudish--never vain, and never swerved from her allegiance to the one
whose name she now bears, and to whom she was secretly engaged before
coming to England. She went everywhere with her merry little sister, and
her stately _dame de compagnie_; stepped from the stage to the saloons
of Devonshire House, where, amongst the most courted and honored guests,
she waltzed with the joyousness of a German girl; but none ever presumed
to pollute her ear with an impure word. There was at this time in London
another remarkable cantatrice, the most wonderful contralto who had ever
been heard since the days of Banti, of whom none but Italians ever
heard, and whom they have now forgotten. Her style and voice were
considered without equal; but nature had disdained to complete her work.
Pisaroni was little, crooked, awkward, and united in her features and
complexion every species of ugliness--but all this was forgotten when
from that large ungraceful mouth issued low mellifluous notes producing
on her hearers the thrilling effect of a sudden burst from an organ in a
still moonlight cathedral. At one morning concert, at the close of the
season, Pisaroni, Malibran, and Sontag sang the trio (from Meyerbeer's
_Crociato_) "_Giovinetto cavalier_;" and never was such music heard
since.
SONTAG AND MALIBRAN
AT
EPSOM RACES.
BY
JULIE DE MARGUERITTE.
CHAP. II.
Public-domain text, read in full here on John Shaqi.
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