Goethe was received with enthusiasm by the young Duke, and all sorts of
entertainments were got up for his benefit. These entertainments gave
rise to much gossip, and soon it was whispered in many places in Germany
that Goethe was leading a shamefully dissolute life at Weimar, and
exercising on the Duke a most deplorable influence. By and by Klopstock,
hearing a rumour of what was supposed to be going on, took it upon
himself to write to his fellow poet a letter of reproof and
expostulation. Goethe had the highest respect for Klopstock, and, when
he had passed through Frankfort, had taken occasion to show him due
honour. But now it was necessary to prove that there were limits beyond
which even the author of “The Messiah,” in his intercourse with younger
men, had no right to pass. Accordingly Klopstock received a cool little
letter in which it was indirectly and delicately intimated that he had
interfered in matters which did not concern him, and about which he was
inadequately instructed.
The worst that could be said about the lively proceedings that went on
at Weimar after Goethe’s arrival was that they took up a great deal of
time, and wasted much good energy. As for the notion that the Duke was
in any way misled by Goethe, nothing could be further from the truth.
The Duke had in his blood the fiery impulses of many a wild ancestor,
and even now it was Goethe’s aim to restrain rather than to stimulate
his passion for pleasure and excitement. Goethe knew him too well to
think of troubling him with formal advice, but none the less he sought
to suggest to the young prince that as a ruler he had obligations which
honour required him to take seriously. Afterwards Goethe kept this
object steadily before himself, and the result was that, notwithstanding
occasional outbreaks of irregular passion, the Duke became one of the
best of the minor German sovereigns, for, of all men, Goethe had the
strongest hold over his imagination and feelings.
Public-domain text, read in full here on John Shaqi.
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