Keats, John, 1795-1821; Poets, English -- 19th century -- Biography
"You are very good in sending me the letters from _The
Chronicle_, and I am very bad in not acknowledging such a
kindness sooner; pray forgive me. It has so chanced that I have
had that paper every day. I have seen to-day's. I cannot but feel
indebted to those gentlemen who have taken my part. As for the
rest, I begin to get a little acquainted with my own strength and
weakness. Praise or blame has but a momentary effect on the man
whose love of beauty in the abstract makes him a severe critic on
his own works. My own domestic criticism has given me pain
without comparison beyond what _Blackwood_ or _The Quarterly_
could possibly inflict; and also, when I feel I am right, no
external praise can give me such a glow as my own solitary
reperception and ratification of what is fine. J. S. is perfectly
right in regard to the 'slipshod "Endymion."'[15] That it is so
is no fault of mine. No; though it may sound a little
paradoxical, it is as good as I had power to make it by myself.
Had I been nervous about its being a perfect piece, and with that
view asked advice, and trembled over every page, it would not
have been written, for it is not in my nature to fumble. I will
write independently. I have written independently, _without
judgment_: I may write independently, and _with judgment_,
hereafter. The genius of poetry must work out its own salvation
in a man. It cannot be matured by law and precept, but by
sensation and watchfulness in itself. That which is creative must
create itself. In 'Endymion' I leaped headlong into the sea, and
thereby have become better acquainted with the soundings, the
quicksands, and the rocks, than if I had stayed upon the green
shore and piped a silly pipe, and took tea and comfortable
advice. I was never afraid of failure, for I would sooner fail
than not be among the greatest. But I am nigh getting into a
rant; so, with remembrances to Taylor and Woodhouse, &c., I am
yours very sincerely,
"John Keats."
This letter, equally moderate and wide-reaching, proves conclusively
that Keats, at the time when he wrote it, treated depreciatory criticism
in exactly the right spirit; acknowledging that it was not without a
certain _raison d'etre_, but affirming that he could for himself see
much further and much deeper in the same direction, and in others as
well. On October 29, 1818, he wrote to his brother George:--
Public-domain text, read in full here on John Shaqi.
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