Don Pippo, Marchese di Ripasecca, a vain and haughty fool, has by his
ill-treatment forced his wife, Donna Pantea, to leave him; he believes
her dead, but she is living, concealed at a place over the seas.
Biondello, hated by him, loves his daughter Celidora, whom he intends to
marry to Count Lionetto di Casavuota; he himself has fallen in love with
her companion Lavina, who has come to an understanding with Calandrino,
Biondello's friend and Pantea's relative. The two maidens are confined
in a fortified tower and closely guarded. In full conviction of his
security, Don Pippo has been induced to promise Biondello that if he
succeeds in gaining access to Celidora within the year, her hand shall
be his reward. Hereupon, Calandrino, a skilful mechanic, has constructed
an artificial goose large enough to contain a man, and with machinery
capable of motion; this is conveyed to Pantea, who, disguised in Moorish
costume, is to display it as a show; it is hoped that Pippo may consent
to its exhibition before the two maidens, and that Biondello may thus
be conveyed into the tower. As a condition Calandrino exacts from his
friend a promise of Lavina's hand.
The opera begins on the anniversary of the wager. Don Pippo is about
to marry Lavina, and awaits the arrival of Count Lionetto; his house is
filled with preparations for festivity. The curtain rises on the whole
household, including the coquettish maid Auretta and her lover the
house-steward, Chichibio, having their hair dressed. Calandrino
{MOZART AS AN OPERA COMPOSER.}
(54)
enters in much perturbation; Pantea has not arrived, and a violent storm
gives rise to the fear that she may fail altogether; some other device
must be hit upon. He promises marriage to Chichibio and Auretta, if
they can succeed in abstracting Don Pippo's clothes, and preventing his
leaving the castle, which they undertake. The scene changes: Celidora
and Lavina are conversing on a terrace on the fourth story of the tower,
to which they have obtained access in secret; the lovers appear below on
the other side of the moat, and a tender quartet is carried on. The new
plan is to throw a bridge across the moat and scale the tower. Workmen
arrive and the task is eagerly commenced; but Chichibio and Auretta,
chattering about their marriage, have failed to keep watch, and now
announce that Don Pippo has gone out; he himself speedily appears,
summons the watch, stops the work, and drives away the lovers.
Public-domain text, read in full here on John Shaqi.
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