Life of Oliver Wendell HolmesBrown, E. E. (Emma Elizabeth)
General
Life of Oliver Wendell Holmes
Brown, E. E. (Emma Elizabeth)
Authors, American -- 19th century -- Biography; Holmes, Oliver Wendell, 1809-1894
judge--judge--no, not judge. Budge, drudge, fudge--what a disgusting
language English is! Nothing fit to couple with such a word as grudge!
And an impassioned moment arrested in full flow, stopped short,
corked up, for want of a paltry rhyme! Judge--budge--drudge
nudge--oh!--smudge--misery!--fudge. In vain--futile--no use--all
up for to-night!'"
The next day the dejected poet "wandered about with a dreadfully
disconsolate look upon his countenance. He showed a falling-off in his
appetite at tea-time, which surprised and disturbed his mother.... The
most touching evidence of his unhappiness--whether intentional on the
result of accident was not evident--was a _broken heart_, which he left
upon his plate, the meaning of which was as plain as anything in the
language of flowers. His thoughts were gloomy, running a good deal on
the more picturesque and impressive methods of bidding a voluntary
farewell to a world which had allured him with visions of beauty only to
snatch them from his impassioned gaze. His mother saw something of this,
and got from him a few disjointed words, which led her to lock up the
clothes-line and hide her late husband's razors--an affectionate, yet
perhaps unnecessary precaution, for self-elimination contemplated from
this point of view by those who have the natural outlet of verse to
relieve them is rarely followed by a casualty. It may be considered as
implying a more than average chance for longevity; as those who meditate
an imposing finish naturally save themselves for it, and are therefore
careful of their health until the time comes, and this is apt to be
indefinitely postponed so long as there is a poem to write or a proof to
be corrected."
Gifted Hopkins survives the ordeal, and completes his volume of poems,
_Blossoms of the Soul_. Good old master Gridley, who foresees what the
end will be, offers to accompany the young poet in his visit to the city
publisher. What a world of pathos there is in the fond mother's
preparations for the momentous journey: She brings down from the garret
"a capacious trunk, of solid wood, but covered with leather, and adorned
with brass-headed nails, by the cunning disposition of which, also, the
paternal initials stood out on the rounded lid, in the most conspicuous
manner. It was his father's trunk, and the first thing that went into
it, as the widow lifted the cover, and the smothering shut-up smell
struck an old chord of associations, was a single tear-drop. How well
she remembered the time when she first unpacked it for her young
husband, and the white shirt bosoms showed their snowy plaits! O dear,
dear!
Public-domain text, read in full here on John Shaqi.
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