This was the last straw. A collapse forthwith occurred. In the scramble for shares in the few remaining funds every one gained something, except the author, who was to have received £12 for each performance for the first twenty-five nights, and, £10 each for ten nights further. This disaster was a deep disappointment to Browning, and a by no means transitory one, for three or four years later he wrote (_Advt._ of "Bells and Pomegranates"): "Two or three years ago I wrote a play, about which the chief matter I much care to recollect at present is, that a pitful of good-natured people applauded it. Ever since, I have been desirous of doing something in the same way that should better reward their attention." But, except in so far as its abrupt declension from the stage hurt its author in the eyes of the critics, and possibly in those of theatrical managers, "Strafford" was certainly no failure. It has the elements of a great acting play. Everything, even the language (and here was a stumbling-block with most of the critics and criticasters), was subordinated to dramatic exigencies: though the subordination was in conformity with a novel shaping method. "Strafford" was not, however, allowed to remain unknown to those who had been unable to visit Covent Garden Theatre.[13] Browning's name had quite sufficient literary repute to justify a publisher in risking the issue of a drama by him; one, at any rate, that had the advantage of association with Macready's name. The Longmans issued it, and the author had the pleasure of knowing that his third poetic work was not produced at the expense of a relative, but at that of the publishers. It had but an indifferent reception, however. [Footnote 13: "It is time to deny a statement that has been repeated _ad nauseam_ in every notice that professes to give an account of Mr. Browning's career. Whatever is said or not said, it is always that his plays have 'failed' on the stage. In point of fact, the three plays which he has brought out have all succeeded, and have owed it to fortuitous circumstances that their tenure on the boards has been comparatively short."--E.W. GOSSE, in article in _The Century Magazine._]