Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth CenturyDavis, William Stearns
History
Life on a Mediaeval Barony: A Picture of a Typical Feudal Community in the Thirteenth Century
Davis, William Stearns
Chivalry; Civilization, Medieval; Feudalism
Conon, we have said, has lived in great harmony with his baroness.
Well he might. A short time ago a visiting cavalier, who had learned
to string words after the South Country troubadour fashion, saw fit
to praise Adela after this manner: "She has fair blond locks and a
forehead whiter than the lilies. Her laughing eyes change color with
her mood. Her nose is straight and firm. Her fresh face outvies the
white and vermilion of the flowers. Her mouth is small and her teeth
are white like snow on the wild rose. White are her fair hands, and
the fingers are both smooth and slender." Also the baron is very proud
of his sister, for whom he is planning a worthy marriage. A Breton
jongleur, who found St. Aliquis's hospitality grateful, sang thus of
Alienor: "Passing slim is the lady, sweet of bodice and slender of
girdle. Her throat is whiter than snow on branch, and her eyes are like
flowers set in the healthful pallor of her face. She has a witching
mouth, a dainty nose, and an open brow. Her eyebrows are brown, and her
golden hair is parted in two soft waves upon her forehead."[20]
[Sidenote: Types of Beautiful Women]
Both of these laudators exaggerate. Neither Adela nor Alienor has a
monopoly of good looks; yet a life of eager exercise in the open has
given them both a complexion which many a town-pent rival might envy.
Their positions in the castle, as at once the gracious hostesses to
equals and the unquestioned mistresses over hundreds of dependents,
bestow on them dignity and "noble" assurance. Each lady rejoices in
the good fortune of being blond, a first prerequisite to beauty--for
in all the romances there is hardly one brunette maiden who comes in
for praise. Their hair falls down the length of their arms, to the
owners' great satisfaction, and is worn in two long braids, entwined
with ribbons, or on gala days with gold thread, resting in front over
their shoulders. Adela, at least, has long since become complaisant
to all kinds of flatteries, though Alienor is still thrilled when a
jongleur or sentimental knight assures her that she has "lips small
as an infant's," "cheeks the color of peach bloom," "teeth of perfect
regularity," "breath sweet as the censer swung above a church altar,"
and that "her beauty suddenly illuminates the whole castle." Both of
the ladies are tall and slender, again the ideal type of femininity;
and they have unconcealed pity for the poor Viscountess of Foretvert,
who is short, plump, and afflicted with dark hair.
[Illustration: COIFFURE OF A NOBLEWOMAN
Twelfth century (cathedral of Chartres).]
Public-domain text, read in full here on John Shaqi.
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