Life's Handicap: Being Stories of Mine Own People — John Shaqi
Life's Handicap: Being Stories of Mine Own PeopleKipling, Rudyard
History
Life's Handicap: Being Stories of Mine Own People
Kipling, Rudyard
India -- History -- British occupation, 1765-1947 -- Fiction; India -- Social life and customs -- Fiction; Short stories, English
The Muezzin stumbles down the dark stairway grumbling in his beard.
He passes the arch of the entrance and disappears. Then the stifling
silence settles down over the City of Dreadful Night. The kites on the
Minar sleep again, snoring more loudly, the hot breeze comes up in puffs
and lazy eddies, and the Moon slides down towards the horizon. Seated
with both elbows on the parapet of the tower, one can watch and wonder
over that heat-tortured hive till the dawn. ‘How do they live down
there? What do they think of? When will they awake?’ More tinkling of
sluiced water-pots; faint jarring of wooden bedsteads moved into or
out of the shadows; uncouth music of stringed instruments softened by
distance into a plaintive wail, and one low grumble of far-off thunder.
In the courtyard of the mosque the janitor, who lay across the threshold
of the Minar when I came up, starts wildly in his sleep, throws his
hands above his head, mutters something, and falls back again. Lulled by
the snoring of the kites--they snore like over-gorged humans--I drop off
into an uneasy doze, conscious that three o’clock has struck, and that
there is a slight--a very slight--coolness in the atmosphere. The city
is absolutely quiet now, but for some vagrant dog’s love-song. Nothing
save dead heavy sleep.
Several weeks of darkness pass after this. For the Moon has gone out.
The very dogs are still, and I watch for the first light of the dawn
before making my way homeward. Again the noise of shuffling feet. The
morning call is about to begin, and my night watch is over. ‘Allah ho
Akbar! Allah ho Akbar!’ The east grows gray, and presently saffron; the
dawn wind comes up as though the Muezzin had summoned it; and, as one
man, the City of Dreadful Night rises from its bed and turns its face
towards the dawning day. With return of life comes return of sound.
First a low whisper, then a deep bass hum; for it must be remembered
that the entire city is on the house-tops. My eyelids weighed down with
the arrears of long deferred sleep, I escape from the Minar through the
courtyard and out into the square beyond, where the sleepers have risen,
stowed away the bedsteads, and are discussing the morning hookah. The
minute’s freshness of the air has gone, and it is as hot as at first.
‘Will the Sahib, out of his kindness, make room?’ What is it? Something
borne on men’s shoulders comes by in the half-light, and I stand back.
A woman’s corpse going down to the burning-ghat, and a bystander says,
‘She died at midnight from the heat.’ So the city was of Death as well
as Night after all.
GEORGIE PORGIE
[Footnote: Copyright, 1891, by MACMILLAN & Co.]
Georgie Porgie, pudding and pie,
Kissed the girls and made them cry.
When the girls came out to play
Georgie Porgie ran away.
Public-domain text, read in full here on John Shaqi.
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