Life's Handicap: Being Stories of Mine Own PeopleKipling, Rudyard
History
Life's Handicap: Being Stories of Mine Own People
Kipling, Rudyard
India -- History -- British occupation, 1765-1947 -- Fiction; India -- Social life and customs -- Fiction; Short stories, English
The pitiless Moon shows it all. Shows, too, the plains outside the city,
and here and there a hand’s-breadth of the Ravee without the walls.
Shows lastly, a splash of glittering silver on a house-top almost
directly below the mosque Minar. Some poor soul has risen to throw a jar
of water over his fevered body; the tinkle of the falling water strikes
faintly on the ear. Two or three other men, in far-off corners of the
City of Dreadful Night, follow his example, and the water flashes like
heliographic signals. A small cloud passes over the face of the Moon,
and the city and its inhabitants--clear drawn in black and white
before--fade into masses of black and deeper black. Still the unrestful
noise continues, the sigh of a great city overwhelmed with the heat, and
of a people seeking in vain for rest. It is only the lower-class women
who sleep on the house-tops. What must the torment be in the latticed
zenanas, where a few lamps are still twinkling? There are footfalls in
the court below. It is the Muezzin--faithful minister; but he ought to
have been here an hour ago to tell the Faithful that prayer is better
than sleep--the sleep that will not come to the city.
The Muezzin fumbles for a moment with the door of one of the
Minars, disappears awhile, and a bull-like roar--a magnificent bass
thunder--tells that he has reached the top of the Minar. They must
hear the cry to the banks of the shrunken Ravee itself! Even across the
courtyard it is almost overpowering. The cloud drifts by and shows him
outlined in black against the sky, hands laid upon his ears, and broad
chest heaving with the play of his lungs--‘Allah ho Akbar’; then a pause
while another Muezzin somewhere in the direction of the Golden Temple
takes up the call--‘Allah ho Akbar.’ Again and again; four times in
all; and from the bedsteads a dozen men have risen up already.--‘I bear
witness that there is no God but God.’ What a splendid cry it is, the
proclamation of the creed that brings men out of their beds by scores at
midnight! Once again he thunders through the same phrase, shaking with
the vehemence of his own voice; and then, far and near, the night air
rings with ‘Mahomed is the Prophet of God.’ It is as though he were
flinging his defiance to the far-off horizon, where the summer lightning
plays and leaps like a bared sword. Every Muezzin in the city is in full
cry, and some men on the roof-tops are beginning to kneel. A long pause
precedes the last cry, ‘La ilaha Illallah,’ and the silence closes up on
it, as the ram on the head of a cotton-bale.
Public-domain text, read in full here on John Shaqi.
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