Not for a moment had I been afraid. It is true that whoever would cross
the threshold of any world, must leave fear behind him; but, for myself,
I could claim no part in its absence. No conscious courage was operant
in me; simply, I was not afraid. I neither knew why I was not afraid,
nor wherefore I might have been afraid. I feared not even fear--which of
all dangers is the most dangerous.
I went out into the wood, at once to resume my journey. Another moon was
rising, and I turned my face toward it.
CHAPTER XVII. A GROTESQUE TRAGEDY
I had not gone ten paces when I caught sight of a strange-looking
object, and went nearer to know what it might be. I found it a
mouldering carriage of ancient form, ruinous but still upright on its
heavy wheels. On each side of the pole, still in its place, lay the
skeleton of a horse; from their two grim white heads ascended the
shrivelled reins to the hand of the skeleton-coachman seated on his
tattered hammer-cloth; both doors had fallen away; within sat two
skeletons, each leaning back in its corner.
Even as I looked, they started awake, and with a cracking rattle of
bones, each leaped from the door next it. One fell and lay; the other
stood a moment, its structure shaking perilously; then with difficulty,
for its joints were stiff, crept, holding by the back of the carriage,
to the opposite side, the thin leg-bones seeming hardly strong enough to
carry its weight, where, kneeling by the other, it sought to raise it,
almost falling itself again in the endeavour.
The prostrate one rose at length, as by a sudden effort, to the sitting
posture. For a few moments it turned its yellowish skull to this side
and that; then, heedless of its neighbour, got upon its feet by grasping
the spokes of the hind wheel. Half erected thus, it stood with its back
to the other, both hands holding one of its knee-joints. With little
less difficulty and not a few contortions, the kneeling one rose next,
and addressed its companion.
“Have you hurt yourself, my lord?” it said, in a voice that sounded
far-off, and ill-articulated as if blown aside by some spectral wind.
“Yes, I have,” answered the other, in like but rougher tone. “You would
do nothing to help me, and this cursed knee is out!”
“I did my best, my lord.”
“No doubt, my lady, for it was bad! I thought I should never find my
feet again!--But, bless my soul, madam! are you out in your bones?”
She cast a look at herself.
“I have nothing else to be out in,” she returned; “--and YOU at least
cannot complain! But what on earth does it mean? Am I dreaming?”
“YOU may be dreaming, madam--I cannot tell; but this knee of mine
forbids me the grateful illusion.--Ha! I too, I perceive, have nothing
to walk in but bones!--Not so unbecoming to a man, however! I trust to
goodness they are not MY bones! every one aches worse than another, and
this loose knee worst of all! The bed must have been damp--and I too
drunk to know it!”
“Probably, my lord of Cokayne!”
Public-domain text, read in full here on John Shaqi.
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