Lillian Morris, and Other StoriesSienkiewicz, Henryk
General
Lillian Morris, and Other Stories
Sienkiewicz, Henryk
Frontier and pioneer life -- West (U.S.) -- Fiction; Short stories, Polish -- Translations into English
The following words were heard: “After the great yearly rains, five
hundred warriors went from Chiavatta on the war-path or to the spring
hunts; when they came back from war they brought scalps, when they came
back from the hunt they brought flesh and the skins of buffaloes; their
wives met them with gladness, and they danced in honor of the Great
Spirit.
“Chiavatta was happy. The women worked in the wigwams, the children
grew up to be beautiful maidens, to be brave, fearless warriors. The
warriors died on the field of glory, and went to the silver mountains
to hunt with the ghosts of their fathers. Their axes were never dipped
in the blood of women and children, for the warriors of Chiavatta were
high-minded. Chiavatta was powerful; but pale-faces came from beyond
distant waters and set fire to Chiavatta. The white warriors did not
destroy the Black Snakes in battle, but they stole in as do jackals at
night, they buried their knives in the bosoms of sleeping men, women,
and children.
“Now there is no Chiavatta. In place of it the white men have raised
their stone wigwams. The murdered nation and ruined Chiavatta cry out
for vengeance.”
The voice of the chief became hoarse. Standing on the wire, he seemed
a red archangel of vengeance floating above the heads of that throng
of people. Evidently the director himself was afraid. A silence as of
death settled down in the circus. The chief howled on,—
“Of the whole nation there remained only one little child. He was weak
and small, but he swore to the spirit of the earth that he would have
vengeance,—that he would see the corpses of white men, women, and
children, that he would see fire and blood.”
The last words were changed into a bellow of fury. In the circus
murmurs were heard like the sudden puffs of a whirlwind. Thousands of
questions without answer came to men’s minds. What will he do, that mad
tiger? What is he announcing? How will he accomplish his vengeance,—he
alone? Will he stay here or flee? Will he defend himself, and how? “Was
ist das, was ist das?” is heard in the terrified accents of women.
All at once an unearthly howl was rent from the breast of the chief.
The wire swayed violently, he sprang to the wooden trestle, standing
at the chandelier, and raised his staff. A terrible thought flew like
a flash through all heads. He will hurl around the lamps and fill the
circus with torrents of flaming kerosene. From the breasts of the
spectators one shout was just rising; but what do they see? From the
arena the cry comes, “Stop! stop!” The chief is gone! Has he jumped
down? He has gone through the entrance without firing the circus!
Where is he? See, he is coming, coming a second time, panting, tired,
terrible. In his hand is a pewter plate, and extending it to the
spectators, he calls in a voice of entreaty: “Was gefällig für den
letzten der Schwarzen Schlangen?” (What will you give to the last of
the Black Snakes?)
Public-domain text, read in full here on John Shaqi.
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