Lillian Morris, and Other StoriesSienkiewicz, Henryk
General
Lillian Morris, and Other Stories
Sienkiewicz, Henryk
Frontier and pioneer life -- West (U.S.) -- Fiction; Short stories, Polish -- Translations into English
Movement, uproar, laughter; fans are fluttering everywhere as if they
were wings of thousands of birds; the sun pours down white light in
torrents from a spotless sky of dense blue.
Suddenly and from all sides are heard cries of “mira, mira!” (look,
look!) After a while these cries are turned into a roar of applause,
which like real thunder flies from one extreme to another; now it is
quiet, now it rises and extends around the whole circus.
What has happened? Surely the queen is approaching, and with her the
court?
No! near by is heard “eviva Frascuello!” That is the most famous
espada, who is coming for laurels and applause.
All eyes turn to him, and the whole throng of women push toward his
carriage. The air is gleaming with flowers thrown by their hands to
the feet of that favorite, that hero of every dream and imagining,
that “pearl of Spain.” They greet him the more warmly because he has
just returned from a trip to Barcelona, where during the exhibition
he astonished all barbarous Europe with thrusts of his sword; now he
appears again in his beloved Madrid, more glorious, greater,—a genuine
new Cid el Campeador.
Let us push through the crowd to look at the hero. First, what a
carriage, what horses! More beautiful there are not in the whole of
Castile. On white satin cushions sits, or reclines, we should say, a
man whose age it is difficult to determine, for his face is shaven
most carefully. He is dressed in a coat of pale lily-colored satin, and
knee-breeches of similar material trimmed with lace. His coat and the
side seams of his breeches are glittering and sparkling from splendid
embroidery, from spangles of gold and silver shining like diamonds in
the sun. The most delicate laces ornament his breast. His legs, clothed
in rose-colored silk stockings, he holds crossed carelessly on the
front seat,—the very first athlete in the hippodrome at Paris might
envy him those calves.
Madrid is vain of those calves,—and in truth she has reason.
The great man leans with one hand on the red hilt of his Catalan blade;
with the other he greets his admirers of both sexes kindly. His black
hair, combed to his poll, is tied behind in a small roll, from beneath
which creeps forth a short tress. That style of hair-dressing and the
shaven face make him somewhat like a woman, and he reminds one besides
of some actor from one of the provinces; taken generally, his face is
not distinguished by intelligence, a quality which in his career would
not be a hindrance, though not needed in any way.
The crowds enter the circus, and we enter with them.
Public-domain text, read in full here on John Shaqi.
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