English drama -- 20th century; English fiction -- 20th century; Short stories, English
The doyen of the Tyrrell family is a young and perhaps too cultured
literary man with rather long, dark brown hair, a face well cut and
sensitive, if a trifle weak about the lower jaw, and a voice whose
exquisite modulations could only be the product of education at one of
the two Great Universities. We will call him plain Aston. Miss Topsy,
the head of the Garrick family, is a young woman of not quite twenty,
with sleek, yellow hair hanging, like a page's, short and thick about
her ears; boyish, too, in her slenderness and length of leg--boyish,
but feminine and attractive to the last degree. Miss Topsy paints
charmingly, sings in a small, pure voice that twists the heart and
makes the bowels yearn in the hearing of it, is well educated, and has
read, or at least heard of, most of the best books in three languages,
knows something, too, of economics and the doctrines of Freud.
They enter arm in arm, fresh from the dance, trailing behind them with
their disengaged hands two absurd ventriloquist's dummies of
themselves. They sit down on a bench placed in the middle of the stage
under a kind of arbour festooned with fabulous flowers. The other
members of the two families lurk in the tropical twilight of the
background.
Aston advances his dummy and makes it speak, moving its mouth and
limbs appropriately by means of the secret levers which his hand
controls.
ASTON'S DUMMY.
What a perfect floor it is to-night!
TOPSY'S DUMMY.
Yes, it's like ice, isn't it? And such a good band.
ASTON'S DUMMY.
Oh yes, a very good band.
TOPSY'S DUMMY.
They play at dinner-time at the Necropole, you know.
ASTON'S DUMMY.
Really! (_A long, uncomfortable silence._)
(_From under a lofty twangum tree emerges the figure of CAIN
WASHINGTON TYRRELL, ASTON'S negro brother--for the TYRRELLS, I regret
to say, have a lick of the tar-brush in them and CAIN is a Mendelian
throwback to the pure Jamaican type. CAIN is stout and his black face
shines with grease. The whites of his eyes are like enamel, his smile
is chryselephantine. He is dressed in faultless evening dress and a
ribbon of seals tinkles on his stomach. He walks with legs wide apart,
the upper part of his body thrown back and his belly projecting, as
though he were supporting the weight of an Aristophanic actor's
costume. He struts up and down in front of the couple on the seat,
grinning and slapping himself on the waistcoat._)
CAIN.
What hair, nyum nyum! and the nape of her neck; and her body--how
slender! and what lovely movements, nyum nyum! (_Approaching ASTON and
speaking into his ear._) Eh? eh? eh?
ASTON.
Go away, you pig. Go away. (_He holds up his dummy as a shield: CAIN
retires discomfited._)
ASTON'S DUMMY.
Have you read any amusing novels lately?
TOPSY.
(_Speaking over the head of her dummy._) No; I never read novels. They
are mostly so frightful, aren't they?
ASTON.
Public-domain text, read in full here on John Shaqi.
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