Suddenly all the lacing and painting and crimping, the pretense and lies and carefully planned accidental effects, filled her with revolt. The insinuations of women, the bareness of their revelations, her mother returning unsteady and mussed from a dinner, were unutterably disgusting. Even to think of them hurt her fundamentally: so much of what she was, of what she had determined, had been destroyed by an emotion apparently as slight as echoed music. Here was the real mystery and for which nothing in her experience had prepared her. She began to see why it was called a nuisance--if this were love--and wondered if she had better not suppress it at once. It wouldn't be suppressed. Her thoughts continually came back to Pleydon, and the warmth, the disturbing thrill, always resulted. It led her away from herself, from Linda Condon; a sufficiently strange accomplishment. A concern for Dodge Pleydon, little schemes for his happiness and well-being, put aside her clothes and complexion and her future. Until the present her acts had been the result of deliberation. She had been impressed by the necessity for planning with care; but, in the cool gloom of the covered bed, a sharp joy held her at the possibility of flinging caution away. Yet she couldn't quite, no matter how much she desired it, lose herself. Linda was glad that Pleydon was rich; and there were, she remembered, moments for surrender. As usual these problems, multiplying toward night, were fewer in the bright flood of morning. She laughed at the memory of Arnaud Hallet's humor; and then, it was late afternoon, the maid told her that Pleydon was in the drawing room. Her appearance satisfactory she was able to see him at once. To her great pleasure neither Pleydon nor his clothes had changed. He was dressed in light-gray flannels; a big easy man with a crushing palm, large features and an expression of intolerance. “Linda,” he said, “what a splendid place to find you. So much better than Markue's.” He was, she realized, very glad to see her, and dropped at once, as if they had been uninterruptedly together, into intimate talk. “My work has been going badly,” he proceeded; “or rather not at all. I made a rather decent fountain at Newport; but--remember what Susanna said?--it's not in the first rank. A happy balance and strong enough conception; yet it is like a Cellini ewer done in granite. The truth is, too much interests me; an artist ought to be the victim of a monomania. I'm a normal animal.” He studied her contentedly: “How lovely you are. I came over--in an automobile at last--because I was certain you couldn't exist as I remembered you. But you could and do. Lovely Linda! And what a gem of a letter. It might have been copied from 'The Perfect Correspondent for Young Females.' You're not going to lose me again. When I was a little boy I had a passion for sherbets.”