“Did you enjoy it?” she asked politely of his reading. “Extremely,” he
replied. “The American Impressions of Tyrone Power, the English actor,
through eighteen thirty-three and four. His account of a European packet
with its handbells and Saratoga water and breakfast of spitch-cock
is inimitable. I'd like to have sat at Cato's then, with a julep or
hail-storm, and watched the trotting races.”
Elouise Lowrie rose unsteadily, confused with dozing; but almost
immediately she gathered herself into a relentless propriety and a
formal goodnight.
“What has been running through that mysterious mind of yours?”
“I had a letter from Dodge,” she told him simply; “and I was thinking a
little about the past.” He exhibited the nice unstrained interest of
his admirable personality. “Is he still in France?” he queried. “Pleydon
should be a strong man; I am sure we are both conscious of a little
disappointment in him.” She said: “I'll read you his letter, it's on the
table.
“'You will see, my dear Linda, that I have not moved from the Rue de
Penthièvre, although I have given up the place at Etretat, and I am not
going to renew the lease here. Rodin insists, and I coming to agree with
him, that I ought to be in America. But the serious attitude here toward
art, how impossible that word has been made, is charming. And you will
be glad to know that I have had some success in the French good opinion.
A marble, Cotton Mather, that I cut from the stone, has been bought for
the Luxembourg.
“'I can hear you both exclaim at the subject, but it is very
representative of me now. I am tired of mythological naiads in a
constant state of pursuit. Get Hallet to tell you something about
Mather. What a somber flame! I have a part Puritan ancestry, as any
Lowrie will inform you. Well, I shall be back in a few months, very
serious, and a politician--a sculptor has to be that if he means to land
any public monuments in America.
“'I hope to see you.'”
The letter ended abruptly, with the signature, “Pleydon.”
“Are you happy, Linda?” Arnaud Hallet asked unexpectedly after a short
silence. So abruptly interrogated she was unable to respond. “What
I mean is,” he explained, “do you think you would have been happier
married to him? I knew, certainly, that it was the closest possible
thing between us.” Now, however, she was able to satisfy him:
“I couldn't marry Dodge.”
“Is it possible to tell me why?”
“He hurt me very much once. I tried to marry him, I tried to forget it,
but it was useless. I was dreadfully unhappy, in a great many ways--”
“So you sent for me,” he put in as she paused reflectively. “I didn't
hurt you, at any rate.” It seemed to her that his tone was shadowed.
“You have never hurt me, Arnaud,” she assured him, conscious of the
inadequacy of her words. “You were everything I wanted.”
Public-domain text, read in full here on John Shaqi.
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