Germany -- Social life and customs -- 19th century -- Fiction
During these weeks life was very sad in this house. Madame Staubach
said but little to her niece of her past iniquity in the matter
of Ludovic's visit, and not much of Peter's suit; but she so bore
herself that every glance of her eye, every tone of her voice, every
nod of her head, was a separate rebuke. She hardly ever left Linda
alone, requiring her company when she went out to make her little
purchases in the market, and always on those more momentous and
prolonged occasions when she attended some public prayer-meeting.
Linda resolved to obey in such matters, and she did obey. She went
hither and thither by her aunt's side, and at home sat with her aunt,
always with a needle in her hand,--never leaving the room, except
when Peter Steinmarc entered it. This he did, perhaps, on every other
evening; and when he did so, Linda always arose and went up to her
own chamber, speaking no word to the man as she passed him. When her
aunt had rebuked her for this, laying upon her a command that she
should remain when Steinmarc appeared, she protested that in that
matter obedience was impossible to her. In all other things she would
do as she was bidden; nothing, she said, but force, should induce
her to stay for five minutes in the same room with Peter Steinmarc.
Peter, who was of course aware of all this, would look at her when he
passed her, or met her on the stairs, or in the passages, as though
she were something too vile for him to touch. Madame Staubach, as she
saw this, would groan aloud, and then Peter would groan. Latterly,
too, Tetchen had taken to groaning; so that life in that house had
become very sad. But Linda paid back Peter's scorn with interest.
Her lips would curl, and her nostrils would be dilated, and her eyes
would flash fire on him as she passed him. He also prayed a little
in these days that Linda might be given into his hands. If ever she
should be so given, he should teach her what it was to scorn the
offer of an honest man.
Public-domain text, read in full here on John Shaqi.
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