The giggling inarticulate gave a jerky little scream of unmixed delight as she opened the box and took out from it with tremulous hands a pretty set of coral necklet, brooch, and earrings. “Not for _me_!” she cried, gasping; “not for me—for a present! You don’t really mean to _give_ them to _me_! They’re too lovely, too delicious!” “Yes, I do,” the Vision of Beauty responded, beaming. “I wanted to give you some little souvenir some time before you went, and I didn’t know what you’d like; so, as you said you admired these, I thought I’d best go in at once as I passed and buy them. They’re pretty, aren’t they?” Florian eyed them with the lenient glance of a man of taste who appraises and appreciates a beautiful woman’s selection. When the bread-and-butter gigglers had exhausted upon them their slender stock of laudatory adjectives—their _oh’s_ and _just look’s_, and _dear me, aren’t they beautiful’s_—he broke in with his bland smile, and, laying the necklet in a curve on the white tablecloth before him, began to discourse with much unction in the Florianic tongue, on the æsthetic points of this pretty trifle. For it _was_ a pretty necklet, there was no denying that; its lance-like pendants were delicately shaped and most gracefully arranged; it was one of those simple half-barbaric designs which retain to our day all the naïve beauty of primitive unsophisticated human workmanship. Florian found in it reminiscences of Eve in Eden. And he said so in that luxuriantly florid style of which he was so great and so practical a master. He called attention with suave tones to the distinctly precious suggestions of archaic influence in the shaping of the pendants; to the exquisite nature of coral as a decorative object, cast up blushing on our shores by the ungarnered sea—a material whose use we inherit from our innocent ancestors, when wild in woods the noble savage ran, his limbs untrammelled by clinging draperies—when beauty unadorned was adorned the most in the subtle and sinuous curves of its own lissome figure. Necklets and armlets, he observed, with one demonstrative white forefinger held poised above the salmon, are the string-courses, so to speak, of this our natural human architecture; they serve to emphasise and throw out into stronger relief the structural points of the grand design, to call attention to the exquisite native fulness of a faultless torso.