Andreas Hausberger was a dictator. He kept his own counsel till the
moment of action grew ripe for birth in the womb of time; then, heeding
no man, he gave his orders. Three days after Will Deverill’s departure
from St Valentin, he called up Linnet to his office suddenly. “The
dressmaker has brought home your new costume,” he said in his curt way.
“Go upstairs and put it on. Then come down and let me see you.”
Linnet, much wondering what this mood might portend, went up to her own
room and tried on her new gew-gaws. Puffed white sleeves, laced corset,
crimson kirtle, high shoes, flowered kerchief at her bosom, silver dirk
in her hair; Linnet wasn’t over-vain, as girls go in this world, but
tricked out in such finery, she gazed in her glass, and, to tell the
whole truth, admired herself consumedly. If only her Englishman could
have seen her in that dress! But she stifled her sigh, and tripped
lightly downstairs again, with the buoyancy of youth, when conscious of
a perfectly becoming costume, for Andreas Hausberger’s scrutiny.
The _wirth_ scanned her, well satisfied. “On Monday,” he said, briefly,
in that iron voice, “we set out on our tour, and go first to Innsbruck.”
It was earlier by a week than he at first intended; but he saw it would
be hard, if he stopped at St Valentin, to keep Fridolin’s hands from
Franz’s throat much longer. So, by way of minimising the adverse
chances, he made up his mind to start as soon as possible for his winter
season. He meant to begin modestly with entertainments at hotels among
the Tyrolese winter resorts, and the towns of the Riviera; and then,
when his troupe had got over its first access of stage fright, and grown
used to an audience, to go across for the summer to England or America.
Public-domain text, read in full here on John Shaqi.
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