Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885Various
Science
Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
The successful painter looked at the sketch in silence for a full minute,
holding it off at arm's length. Finally, she laid it down on the table,
murmuring, "And after three years' hard work!"
"Only a year's real work," Kitty broke in eagerly. "I have only been here
a year, you know; and those two years at home I ought not to count, for I
did not work then as I do now."
"Why not?" asked Fräulein Vogel sharply. And Kitty changed color.
"Ah, one must not ask questions," Fräulein Vogel remarked; "but one can
have plenty of suspicions. I dare say you were in love, and, as love
failed, you have taken to art. So it goes with women. Everything but
marriage is a _pis-aller_."
Kitty half rose: the stray arrow had sped home, and it rankled in a new
wound.
"I am a woman myself," added Fräulein Vogel, with a droll smile that
melted the girl's anger in an instant.
Kitty dropped down on the sofa. "Well," she said gayly, "I grant that I
was in love once on a time; but that is all past. Now I want to be a
painter. Listen: I have not much money, I have no friends,--that is,
friends such as we read about,--and I must learn to make some money. When
I am thirty I shall begin to make money; otherwise--"
"You are spending your capital," said Fräulein Vogel.
"If I spent only my income I should either wear shoes and no clothes, or
clothes and no shoes," answered Kitty, laughing, with a little air of
recklessness that sat well on her. "Besides," she added sagely, "it is
well to burn one's ships. Sink or swim."
"But you are quite sure of swimming?" said Fräulein Vogel, taking up the
picture again and looking at it closely.
"It is very bad," Kitty said.
"Abominable," said the painter. She drew a long breath and shook her head.
"Abominable," she repeated, almost as though such an abominable piece of
work demanded respect. "_Ach_! You leave old Zweifarbe's studio," she
exclaimed. "Send your easel over to me. You want to make some money? Good.
There are many artists here in DÃ¥sseldorf who say I cannot paint; there is
not one who will say I have not made money. Perhaps I can teach you." And
Fräulein Vogel burst out laughing, while Kitty stared at her in blank
surprise.
"But you have never taken pupils," she stammered.
"I have never died; but I suppose I shall," was the response.
And so old Zweifarbe lost a pupil,--for Kitty's easel was straightway
borne on the back of a sturdy _dienstmann_ to Fräulein Vogel's studio.
What a chatter, what a commotion, it caused in the nest of painters! They
chirped and gossiped and pecked each other like a flock of sparrows. The
Frau Pastorin expressed the popular sentiment when she discussed Hedwig
Vogel's eccentricities.
Public-domain text, read in full here on John Shaqi.
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