Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885Various
Science
Lippincott's Magazine Of Popular Literature And Science, Old Series, Vol. 36—New Series, Vol. 10, July 1885
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"Would we go up the rapids?" We had heard of going down the rapids, but in
reality the most wonderful part of the performance is going up. Not only
is the current fearfully swift, even close to the shore as it is necessary
to keep, but the water seems to be only a few inches deep, and the rocks
are as thick as plums in a Christmas pudding. Yet two Indians, standing
erect, one in the bow and one in the stern of the canoe, pole you up the
stream against these terrible odds as easily and surely as a Harvard
oarsman might row you across Seneca Lake. Then they pause for a moment.
"How will you have it going down? Rough?" they ask.
"Rough," we answer, wondering what in the world they can mean by speaking
as if they were the autocrats of wind and current.
But it seems there are two channels,--one near shore for the timid, and
one in mid-stream. We were not to be betrayed into any exhibition of
timidity after that first hesitating question, "Do you know the rapids
well? How many times have you taken people down?" To which the quiet reply
had been, "Three times a day, lady, for twenty years." Twenty thousand
times, by rough calculation!
So we went over in mid-stream, and were not sorry,--receiving as we
stepped ashore what is probably a part of every programme, the compliment
of being "the bravest lady that ever went over the falls."
Many a pleasant day, or week, one might undoubtedly spend at the Sault
Ste. Marie, or at Mackinac; but if you have only turned through the
straits and gone southward again to Chicago through Lake Michigan, do not
think of saying that you have taken the trip on the Great Lakes. To me the
Great Lakes will always mean Lake Superior. It is something unique in the
geography of the world, and you have the consciousness of your actual
height above the level of the sea as you rarely have on any elevated land
that is not actually a mountain. Ruskin says that for him the flowers lose
their light, the river its music, when he tries to divest any given
landscape of its associations with human struggle and endeavor. Our New
World scenery, of course, has little of that wonderful charm of
association; but there is something singularly impressive in the mere
silence and vastness of our great Northern solitudes.
We entered Lake Superior late in the afternoon, and the only event of the
evening was a magnificent aurora. Toward midnight the gorgeous tints
changed to a thin wedge of perfectly white light, against which in a
duskier white the sails of passing vessels were distinctly outlined,
though no hulls were visible.
Public-domain text, read in full here on John Shaqi.
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