Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 27, June, 1873Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 11, No. 27, June, 1873
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"And," continued Schuster Alois, "that is only one tale amongst the
hundreds which could be related concerning these crucifixes. Ah,
there is many an old, bleached, weather-beaten crucifix on crag or
highway-side from which the anguished face of the Saviour has both
smitten and healed the sinner. Crucifixes cut deeper into most
Tyrolese hearts than shrines, some way."
"Strange," we replied, "for these old shrines are not only quaint,
but often beautiful, as, for instance, the one on the roadside turning
into town."
"Ah, I am glad you like it," said Alois, "for there are those who
would wish it pulled down and a lofty wooden cross, as a landmark,
placed there instead. The Capuchins in the adjoining monastery are
opposed to it, however, and no wonder. Have you ever remarked," he
continued, becoming quite aglow, "that although it is greatly injured
and many of the figures lost, still there are others who look at you
so calmly and seriously with their marred, dilapidated countenances
that you feel a peace steal into your heart? And whoever the painter
was, he must have loved his work, for Saint Gregory could never have
been more dignified in real life than he looks in the shrine."
"Are you a painter?" we asked, almost without knowing what we were
saying, for it was hardly probable.
"Oh, I only touch colors now and then, when there's a purpose in it
or I can serve the Church," he returned. He became embarrassed, and
explained that it was time to return to his work.
We afterward learnt from Moidel that Alois bore in the neighborhood
far and wide the reputation of an artist, although he did not consider
himself such, seeing he could not paint saints and angels. It was,
however, a great source of pleasure to him to paint mottoes and
devices and to arrange floral decorations, especially when they could
serve as a surprise for some private name-day or church festival.
One afternoon we were told that the boots were made, that Anton had
brought the flour from the mill, that two hundred loaves of rye bread
were baked, and, the weather being sufficiently fine and all the
preparations being completed, the cattle would now start for the
Olm. First, Anton and the Senner Franz set off at four o'clock in the
afternoon, with the calves in advance, the young things being unable
to keep up with the cattle. Then a _leiterwagen_ which had been drawn
into the lower corridor and filled with sacks of flour, meal, salt and
the two hundred loaves, was driven by the Hofbauer as far as Taufers,
whence the supplies for the Alpine residents would be borne on men's
backs up to the huts.
Public-domain text, read in full here on John Shaqi.
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