So long as the sun is in the sky it is fine weather to a Municher, no matter what wind may blow or what evil the earth may be bringing forth. Thus, on Christmas Day of 1873, when the weather, though unusually mild for the season, was still windy and chilly, and utterly unfit for any open-air enjoyment other than a brisk walk, every beer-garden in the city was filled with an eating and drinking multitude; and this, too, when a cold was especially to be deprecated, as the cholera was increasing every hour. And so on all Sundays and feast-days and fast-days and fairs there is a general pouring out of the population into places of amusement near and remote, no matter what may be the state of the weather or what the condition of the public health. But, though the people of Munich are extremely fond of staying out of doors, they are by no means lovers of fresh air in their houses. With the dread of fever always before their eyes, they make all close when they go to bed, forgetting that "the only air at night is night air;" and, hardened by habit, they spend long winter evenings in concert-rooms and tavern beer-halls, made stifling with tobacco smoke and foul with accumulated breaths; while at home, especially among the poorer classes, the air is purposely unchanged in order to economize heat. Even the Odeon Music-Hail, the place where aristocratic concerts are given, is so badly constructed with respect to ventilation that when crowded, as it generally is, women frequently faint away, while many persons avoid going there entirely through dread of the discomfort and fear of its effects. So, too, the theatres show a shameful negligence of the health and comfort of the audiences as to this particular, the Royal Theatre especially becoming almost a "Black Hole of Calcutta" by the end of a six hours' Wagner opera. The close air of the crowded lecture-rooms of the Polytechnic School is a source of positive injury to the students, and the same may be said of the halls appropriated to pupils in the Academy of Art.