Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 86, February, 1875Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 86, February, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
Was Kiku happy? Nay, you should ask, Can that word express her feelings?
She had obeyed her parents: she could do nothing higher or more fraught
with happiness. She was to be a wife--woman's highest honor and a
Japanese woman's only aim. She was to marry a noble by name, nature and
achievement, with health, family, wealth and honor. Kiku lived in a new
world of anticipation and of vision, the gate of which the Japanese call
_iro_, and we _love_. At times, as she tried on for the twentieth time
her white silk robe and costly girdle, she fell into a reverie, half sad
and half joyful. She thought of leaving her mother alone with no
daughter, and then Kiku's bright eyes dimmed and her bosom heaved. Then
she thought of living in a new home, in a new house, with new faces.
What if her mother-in-law should be severe or jealous? Kiku's cheek
paled. What if Taro should achieve some great exploit, and she share his
joy as did the honorable women of old? What if his former position of
beloved page to the Shô-gun should give her occasional access to the
highest ladies in the land, the female courtiers of the castle? Her eyes
flashed.
The wedding-night came, seeming to descend out of the starry heavens
from the gods. Marriages rarely take place in the daytime in Japan. The
solemn and joyful hour of evening, usually about nine o'clock, is the
time for marriage--as it often is for burial--in Japan. In the starlight
of a June evening the bride set forth on her journey to her intended
husband's home, as is the invariable custom. Her toilet finished, she
stepped out of her childhood's home to take her place in the _norimono_
or palanquin which, borne on the shoulders of four men, was to convey
her to her future home.
Just as Kiku stands in the vestibule of her father's house let us
photograph her for you. A slender maiden of seventeen, with cheeks of
carnation; eyes that shine under lids not so broadly open as the
Caucasian maiden's, but black and sparkling; very small hands with
tapering fingers, and very small feet encased in white mitten-socks; her
black hair glossy as polished jet, dressed in the style betokening
virginity, and decked with a garland of blossoms. Her robe of pure white
silk folds over her bosom from right to left, and is bound at the waist
by the gold-embroidered girdle, which is supported by a lesser band of
scarlet silken crape, and is tied into huge loops behind. The skirt of
the dress sweeps in a trail. Her under-dress is of the finest and
softest white silk. In her hands she carries a half-moon-shaped cap or
veil of floss silk. Its use we shall see hereafter. She salutes her
cousin, who, clad in ceremonial dress with his ever-present two swords,
is waiting to accompany her in addition to her family servants and
bearers, and steps into the norimono.
Public-domain text, read in full here on John Shaqi.
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