Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875Various
Science
Lippincott's Magazine of Popular Literature and Science, Volume 15, No. 90, June, 1875
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
by his dreadful manners. He put his muddy boots on the fauteuils, did
mon ami Thomas; he fell in love with a gay woman of the Boulevards
whose skin was all plastered up like an old cathedral; he ate oysters
with a hair-pin at dinner; he offered his toothpick to his vis-à-vis,
and altogether conducted himself in such a manner that one was forced
to say to him (_chorus_), Ah, my friend Thomas! at Paris that's hardly
done. Ah, mon ami Thomas! at Paris that is not done at all. The
audience is in ecstasies of delight at this ill-bred conduct on the
part of the cousin from the provinces--secretly conscious as they are,
even though they be blousards, that they are Parisians, and know how
to behave themselves in a polite manner; and the vocalist, recovering
from his last grimace, gives them another dose. He relates that his
friend Thomas wanted to go to the grand opera; so he took him to the
Funambules: the fool swallowed that--il à gobé ça!--and when the tenor
began to sing Thomas roared out, "Tais-toi donc!" and began to bellow
a comic song, whereupon I dragged him out, protesting (_Chorus_), Ah,
mon ami Thomas! à Paris ça n'se fait guère. Ah, mon ami Thomas! à
Paris ça n'se fait pas!
When a sentimental song is sung the audience pay little attention. To
patriotic songs they listen respectfully. A song which breathes the
glories of literature as represented by Montaigne, Jean Jacques
Rousseau, and Molière is tolerated idly. But when the stage is
presently cleared for a ballet the young blousards--for they are
mostly young men who gather here--are all attention. What is their
disgust at perceiving that the dancers are men in ancient Greek
costumes, who do a sword-fight to music, with periods of sudden
tableau-attitude striking! They are a bit ridiculous, these Greeks,
flopping about the stage in tights and tunics, and presently three or
four blousards near me begin to guy the performance. "Ah-h-h!" they
cry, grinning broadly; "ah, ah, ha! ha-a-a-a!"--putting into this
utterance a world of amused scorn. The "regulator" of the
establishment--a solemn man in a tail-coat who walks about the hall
preserving order--gets angry at this. "Restez tranquilles," he says to
the jeerers, with expressive and emphatic forefinger leveled at the
group. Whereupon one of them, a handsome chap in a soft hat, leans his
elbows squarely on the table in front of him, wags his head saucily
and openly chaffs the solemn regulator. "Ah, bah!" he says, "do we
come _here_ to keep still?" The superintendent threatens to call the
police: the blousards laugh him to scorn. "You would make a fine
figure of yourself bringing here the police, wouldn't you? Look then
at what we have consumed!" pointing to the empty glasses before him on
the table. "Go along, then, do--go quickly--and bring here the police,
old wag that you are!" The regulator perceives the force of this
argument. "But they should be more respectful," he says, appealing to
Public-domain text, read in full here on John Shaqi.
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