Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 098, February, 1876Various
History
Lippincott's Magazine of Popular Literature and Science, Volume 17, No. 098, February, 1876
Various
Literature, Modern -- 19th century -- Periodicals; Science -- Periodicals
"Jeanne, a model is not a critic," said the author of the drawing,
coming forward and grasping the canvas with no gentle hand.--"Ladies,
if you wish to find fault, turn to your own studies. That proportion
is frightful"--she pointed to different sketches as she spoke--"that
ear is too large; and, madame, if you take a crust of paint like yours
for freedom of touch, I pity you."
This dispute was by no means the last during the evening. Opinions
seemed to be plentiful in Bohemia, each individual being furnished
with a set of her own on every subject broached; and as no diffidence
was shown in putting them forth, the company quarreled with great
good-nature and evident enjoyment. A pot of tea was then brewed by the
owner of the studio, who had been English before she became Bohemian,
and the beverage was handed round in tea-cups which, like the opinions
of the guests, differed widely from each other. In the silence that
attended this diversion Afra took the floor and said, "How about the
garden-party to the country? Who is going?"
Several spoke, and one asked, "Shall we take lunch with us?"
"No, something will be provided for us there."
"So much the better. When are we to meet, and where?"
"Twelve o'clock, midday, at ----."
"What messieurs are going?"
"Quite a number--a tenor from the Grand Opera, and the leader of the
orchestra, who is a magnificent violinist; that new Spanish painter
who plays the guitar divinely; a poet--that is, he has written some
pretty songs--besides plenty more."
"That promises well."
"You will bring your friend?" and the speaker nodded her head toward
me.
"I shall be delighted: I am so curious to see those eccentric--" Here
a warning glance from Afra stopped me.
But the lady only laughed and said, "You will see eccentricity enough
to-morrow, if that is what you want. People who devote their minds to
great objects have no time to think of little things. You had better
see that Afra has on her bonnet or she will go without one."
"Nonsense!" replied Afra.--"Miss," this to the owner of the studio,
who was so called in honor of her English birth, "are you ever
troubled by the ghost of that young painter who hung himself up
there?"
"Those who have occasion to commit suicide are not likely to come
back: they have had enough of this world," said the Englishwoman.
"Did some one really die here?" I asked.
"Yes, really;" and Afra mimicked my tone of horror. "You know, a
Bohemian is at home anywhere, so a change of country don't affect him
much. If we find a place disagreeable, we travel."
"Was he insane?"
"Not more than the rest of us, but _you_ can't understand the feeling
that would induce a man to do such a thing. This young fellow painted
a picture: he put his mind, his soul, himself, into it, and sent it to
the Exhibition. It was rejected--that is, he was rejected--and he came
here and died. They found him suspended from that beam where the lamps
hang now."
"I thought your Bohemia was so gay?"
Public-domain text, read in full here on John Shaqi.
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