List, Ye Landsmen! A Romance of IncidentRussell, William Clark
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List, Ye Landsmen! A Romance of Incident
Russell, William Clark
English fiction -- 19th century; Sea stories
“‘How the deuce comes a ship of seven hundred tons burthen to be lying
in that hole?’ said I.
“My mate was a Yorkshireman. His head fell on one side and he answered
me not.
“‘Are her anchors down?’ I asked.
“‘Her anchors have been let go,’ he answered. ‘The starboard cable
appears to have parted inboard. I saw nothing of it in the hawse-pipe.
There are a few feet of her larboard cable hanging up and down.’
“‘Swing your topsail,’ said I. ‘She will lie quiet. There is nothing to
be afraid of upon that island.’
“I then got into the boat, and my men pulled me to the mouth of the
piers of reef.
“I was greatly impressed by the appearance of these reefs on approaching
them. They looked like admirably wrought breakwaters, which had fallen
into decay but were still extraordinarily strong, very rugged, imposing,
and serviceable. The width of the entrance was about five hundred feet.
The water was smooth as glass, clear as crystal, and when I looked over
the side I could see here and there the cloudy sheen of the bottom,
whether coral or not I do not know--I should say not. And now, right in
front of me, was the great face of gloomy-looking cliff, and in the
center the mighty rift, shaped like that,” said he, bringing the points
of his two forefingers together and then separating his hands to the
extent of the width of his two thumbs. “No doubt the wonderful cave was
a volcanic rupture. The height of the entrance was, I reckoned, about
two hundred feet, and the breadth of it at its base about fifty. It
stood at the third of a mile from the mouth of the natural harbor. I
could see but little of the ship until I was close to, so gloomy was the
interior; but as the men rowed, features of the extraordinarily housed
craft stole out, and presently we were lying upon our oars and I was
viewing her, the whole picture clear to my gaze as an oil painting set
in the frame of the cavern entrance.
Public-domain text, read in full here on John Shaqi.
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