American literature -- History and criticism; Authors; English literature -- History and criticism
He had the good fortune to become known to Mr. Thomas Bailey, a man of
literary taste, the writer of several works, and father of the more famous
Philip James Bailey, author of "Festus." Mr. Bailey recognised at once the
merits of a collection of poems submitted to him by Miller, was the means
of the pieces being printed, and did all in his power to obtain a
favourable welcome for the volume. The book was entitled "Songs of Sea
Nymphs;" it contained only forty-eight pages, and was sold at two
shillings. In his preface the author stated: "I am induced to offer these
extracts from unpublished poems in their present state solely because I
cannot find any publisher who will undertake, without an extensive list of
subscribers, the risk of publishing a volume of poetry written by an
individual whose humble station in life buries him in obscurity." He next
explains that the object of the work is to elicit the opinion of his
country-men as to the merits or demerits of his verses--which he terms
"trifles." Mr. Miller says, "Concerning the poems, I have only to add that
the three first songs are extracts from an unpublished poem entitled,
'Hero and Leander, a Tale of the Sea.' The scene is chiefly confined to
Neptune's palace beneath the waves. The other extracts are from 'Adelaide
and Reginald, a Fairy Tale of Bosworth Field.' I am aware that the date is
too modern for fairies; however, who can prove it? for so long as a barren
circle is found in the velvet valleys of England, tradition will ever call
it a fairy-ring. Having launched my little bark on the casual ocean of
public opinion, not without anxiety, I leave it to its fate.--Thomas
Miller, Basket-maker, Nottingham, August, 1832." The volume was the means
of making him many friends, and enabling him to start business on his own
account. He had a work-room in the Long Row, and a stall on a Saturday in
the market-place. Here is a picture of the stall from Spencer Hall's
graphic pen:--"There was poetry in his very baskets. A few coarser ones
were there, but others of more beautiful pattern, texture, and colour,
flung a sort of bloom over the rest; and the basket-maker and his wares
well-matched each other, as he would take his cigar from his mouth, and
ask some pretty market maiden, in his cheeriest tones, as she lingered and
looked, if she would not like to purchase. As a youth, I was wont to stand
there chatting with him occasionally, and to hear him, between customers,
pour out the poetry of Coleridge and other great minds, with an
appreciance and a melody that such authors might themselves have listened
to with pride and delight."
Public-domain text, read in full here on John Shaqi.
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