The circumstance of so great a thinker being such a poor writer is not only curious in itself, but indicates the class of thinkers to which Butler belongs. Philosophers may be divided into seers on the one hand, and into gropers on the other. Plato, to use a contrast which is often used for other purposes, is the type of the first. On all subjects he seems to have before him a landscape of thought, with clear outline, and pure air, keen rocks and shining leaves, an Attic sky and crystal-flowing river, each detail of which was as present, as distinct, as familiar to his mind as the view from the Acropolis, or the road to Decelea. As were his conceptions so is his style. What Protagoras said and Socrates replied, what Thrasymachus and Polemo, what Gorgias and Callicles, all comes out in distinct sequence and accurate expression; each feature is engraved on the paper; an exact beauty is in every line. What a contrast is the style of Aristotle! He sees nothing—he is like a man groping in the dark about a room which he knows. He hesitates and suggests; proposes first one formula and then another; rejects both, gives a multitude of reasons, and ends at last with an expression which he admits to be incorrect and an apologetic ‘let it make no difference.’ There are whole passages in his writings—the discussion about Solon and happiness in the ‘Ethics,’ is an instance—in which he appears like a schoolboy who knows the answer to a sum, but cannot get the figures to come to it. This awkward and hesitating manner is likewise that of Butler. He seems to have an obscure feeling, an undefined perception, of what the truth is; but his manipulation of words and images is not apt enough to bring it out. Like the miser in the story, he has a shilling _about_ him somewhere, if people will only give him time and solitude to make research for it. As a person hunting for a word or name he has forgotten, he knows what it is, _only_ he cannot say it. The fault is one characteristic of a strong and sound mind wanting in imagination. The visual faculty is deficient. The soundness of such men’s understanding ensures a correct report of what comes before them, and its strength is shown in vigorous observations upon it; but they are unable to bring those remarks out, the delineative power is wanting, they have no picture of the particulars in their minds; no instance or illustration occurs to them. Popular, in the large sense of the term, such writers can never be. Influential they may often become. The learned have time for difficulties; the critical mind is pleased with crooked constructions; the detective intellect likes the research for lurking and half-hidden truth. In this way portions of Aristotle have been noted these thousand years, as Chinese puzzles; and without detracting for a moment from Butler’s real merit, it may be allowed that some of his influence, especially that which he enjoys in the English universities, is partially