Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English LiteratureBennett, Arnold
General
Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English Literature
Bennett, Arnold
Best books -- Great Britain; Book collecting -- Great Britain; Books and reading -- Great Britain; English literature -- Bibliography
My third counsel is: Buy a library. It is obvious that you cannot
read unless you have books. I began by urging the constant purchase
of books--any books of approved quality, without reference to their
immediate bearing upon your particular case. The moment has now come
to inform you plainly that a bookman is, amongst other things, a man
who possesses many books. A man who does not possess many books is
not a bookman. For years literary authorities have been favouring
the literary public with wondrously selected lists of "the best
books"--the best novels, the best histories, the best poems, the best
works of philosophy--or the hundred best or the fifty best of all
sorts. The fatal disadvantage of such lists is that they leave out
large quantities of literature which is admittedly first-class. The
bookman cannot content himself with a selected library. He wants, as a
minimum, a library reasonably complete in all departments. With such a
basis acquired, he can afterwards wander into those special byways
of book-buying which happen to suit his special predilections. Every
Englishman who is interested in any branch of his native literature,
and who respects himself, ought to own a comprehensive and inclusive
library of English literature, in comely and adequate editions. You
may suppose that this counsel is a counsel of perfection. It is
not. Mark Pattison laid down a rule that he who desired the name
of book-lover must spend five per cent. of his income on books. The
proposal does not seem extravagant, but even on a smaller percentage
than five the average reader of these pages may become the owner, in
a comparatively short space of time, of a reasonably complete English
library, by which I mean a library containing the complete works
of the supreme geniuses, representative important works of all the
first-class men in all departments, and specimen works of all the
men of the second rank whose reputation is really a living reputation
to-day. The scheme for a library, which I now present, begins before
Chaucer and ends with George Gissing, and I am fairly sure that the
majority of people will be startled at the total inexpensiveness of
it. So far as I am aware, no such scheme has ever been printed before.
CHAPTER XI
AN ENGLISH LIBRARY: PERIOD I
[For much counsel and correction in the matter of editions and prices
I am indebted to my old and valued friend, Charles Young, head of the
firm of Lamley & Co., booksellers, South Kensington.]
For the purposes of book-buying, I divide English literature, not
strictly into historical epochs, but into three periods which,
while scarcely arbitrary from the historical point of view, have
nevertheless been calculated according to the space which they will
occupy on the shelves and to the demands which they will make on the
purse:
I. From the beginning to John Dryden, or roughly, to the end of the
seventeenth century.
II. From William Congreve to Jane Austen, or roughly, the eighteenth
century.
Public-domain text, read in full here on John Shaqi.
Literary Taste: How to Form It: With Detailed Instructions for Collecting a Complete Library of English Literature — John Shaqi
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