Literary Tours in The Highlands and Islands of ScotlandHolmes, Daniel Turner
History
Literary Tours in The Highlands and Islands of Scotland
Holmes, Daniel Turner
Scottish literature -- History and criticism
At some of the meetings there was perhaps an _excess of realism_.
Bottom, in "A Midsummer Night's Dream," wishing to avoid excitement and
fear among the ladies when he is acting the part of Pyramus, says:
"Write me a prologue; and let the prologue seem to say, we will do no
harm with our swords, and that Pyramus is not killed indeed; and for the
more better assurance tell them that I, Pyramus, am not Pyramus, but
Bottom the weaver: this will put them out of fear." I thought of
Bottom's extreme delicacy when I was present at a meeting in Tomatin not
long ago. An outstanding feature of the evening's proceedings was the
vividly dramatic rendering of the song, "Macpherson swore a feud," by
the local postman. The latter, a big, burly man, was extremely
formidable in his Highland attire. When he came to the verse dealing
with the untimely decease of Macpherson, he whipped the dagger out of
its sheath, flourished it as in act to kill, and terrified some of the
lady visitors by his vivid suiting of the action to the word. They were
as much astonished at the flash of the _skian dhu_ as the Commons were
when Burke threw a dagger on the floor of the House.
A musical treat is sometimes got in the most unexpected places. I was
particularly struck with a children's glee-party in Jura (a rough island
known chiefly for its sterile Paps). The bairns admirably rendered Ben
Jonson's delightful ditty, "Drink to me only with thine eyes," and the
Shakespearian song, "Where the bee sucks, there suck I." In such islands
a musical teacher is a valuable asset. Let me add that all the libraries
have been gratuitously supplied with fine collections of Scottish music.
At Acha, in the island of Coll, four sturdy farm-maidens, ruddy with
health and robed in white, gave various English and Gaelic airs in
admirable style. A divinity student sang a _coster song_ (think of this
in an island of craggy shores, gulls, wild-swans, and curlews!), and on
being encored, he gave a "Cradle Lullaby," and by gently swaying a chair
backwards and forwards on the platform, he strove to illustrate the
movements of childhood's earliest receptacle.
A military gentleman--an ex-major--in proposing a vote of thanks, one
evening, to the singers, said he had sung a song but once in his life,
the occasion being his admission to the Royal Engineers, thirty years
before. It was a standing law in that body that every novice should sing
a song or drink a mixture consisting of whisky, ink, and cayenne pepper.
He chose the former alternative, and at the end of the first verse the
Royal Engineers had all left the room in a demoralised condition!
M.P.'s.
Public-domain text, read in full here on John Shaqi.
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