American essays; Literature -- History and criticism
It would seem that the nearer we are, in point of time, to an event,
a man, a book, a work of art, the less likely we are to estimate them
rightly, especially if they are out of the usual and involve great
questions and points. Such a poet as Dante or Victor Hugo or Whitman,
or such a character as Napoleon or Cromwell or John Brown, or such an
artist as Angelo or Turner or Millet, will require time to settle his
claim. In literature, the men of the highest order, to be understood,
must undoubtedly, in a measure, wait for the growth of the taste of
themselves, or until their own ideals have become at home in men’s
minds. With every great innovation, in whatever field, every year that
passes finds our minds better adjusted to it and more keenly alive to
its merits. Contemporary criticism is bound to be contradictory. Men
take opposite views of current questions; they are too near them to
see all their bearings. How different the aspect the slavery question
wears at this distance, and the civil war that grew out of it, from
the face they wore a generation or two ago! It is only the few great
minds that see to-day what the masses will see to-morrow. They occupy a
vantage ground of character and principle that is like an eminence in a
landscape, commanding a wide view. Sainte-Beuve certainly did injustice
to Balzac, and Schérer to Béranger. Theirs were contemporary judgments,
and personal antipathy played a large part in them. Sainte-Beuve says
that when two good intellects pass totally different judgments on the
same author, it is because they are not fixing their thoughts, for
the moment, on the same object; they have not the whole of him before
their eyes; their view does not take him in entirely. That is just it:
we each look for different values; we are more keenly alive to some
merits than to others; what one critic misses another sees. We are more
or less like chemical elements, that unite eagerly with some of their
fellows, and not with others. The elective affinities are at work
everywhere,--where is the critical genius that is a universal solvent?
Probably Sainte-Beuve himself comes as near it as anybody who has lived.
IV
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