Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians — John Shaqi
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great MusiciansHubbard, Elbert
History
Little Journeys to the Homes of the Great - Volume 14: Little Journeys to the Homes of Great Musicians
Hubbard, Elbert
Composers
The facts being brought to the notice of George Sand, she had but one
thought--to save the life of this young man. He was too ill to decide
what was best to do, and was never able by temperament to take the
initiative, anyway, so this strong and capable woman, forgetful of self
and her own interests, made all the arrangements and took him to the
Isle of Majorca in the Mediterranean Sea. There she cared for him alone
as she might for a babe, for six long, weary months. They lived in the
cells of an old monastery at Valdemosa, away up on the mountainside
overlooking the sea. Here where the roses bloomed the whole year
through, surrounded by groves of orange-trees, shut in by vines and
flowers, with no society save that of the sacristan and an aged woman
servant, she nursed the death-stricken man back to life and hope.
To better encourage him she sent for and surprised him with his piano,
which had to be carried up the mountain on the backs of mules. In the
quiet cloisters she cared for him with motherly tenderness, and there he
learned again to awake the slumbering echoes with divine music. Several
of his best pieces were composed at Majorca during his convalescence,
where the soft semi-tropical breeze laved his cheek, the birds warbled
him their sweetest carols, and away down below, the sea, mother of all,
sang her ceaseless lullaby. When they returned to France the following
Spring, M. Dudevant had accommodatingly vacated the family residence at
Nohant in favor of his wife. It was here she took the convalescent
Chopin. He was charmed with the rambling old house, its walled-in
gardens with their arbors of clustering grapes, and the green meadows
stretching down to the water's edge, where the little river ran its way
to the ocean.
Back of the house was a great forest of mighty trees, beneath whose
thick shade the sun's rays never entered, and a half-mile away arose the
spire of the village church. There were no neighbors, save a cheery old
priest, and the simple villagers who made respectful obeisance as they
passed. Here it was that Matthew Arnold came to pay his tribute to
genius, also Liszt and the fair Countess d'Agoult, Delacroix, Renan,
Lamennais, Lamartine, and so many others of the great and excellent.
Chopin was enchanted with the place, and refused to go back to Paris.
Madame Dudevant insisted, and explained to him that she took him to
Majorca to spend the Winter, but she had no intention or thought of
caring for him longer than the few months that might be required to
restore him to health. But he cried and clung to her with such
half-childish fright that she had not the heart to send him away.
The summer months passed and the leaves began to turn scarlet and gold,
and he only consented to return to Paris on her agreeing to go with him.
So they returned together, and had rooms not so very far apart.
He went back sturdily to his music-teaching, with an occasional
musicale, yet gave but one public concert in the space of ten years.
Public-domain text, read in full here on John Shaqi.
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