English fiction -- 20th century; Short stories, English
In the face of the very defective sanitary arrangements of the prison,
my Uncle Spencer did his best. He had a crowd of willing assistants;
everybody was anxious to do something helpful. Nobody was more anxious
than Emmy Wendle. The forced inaction of prison life, even when it was
relieved by the jokes of the cheerful ones, by theatrical discussions
and the facetious gallantry of the bank clerk and the journalist, was
disagreeable to her. And the prospect of being able to do something,
and particularly (since it was war-time, after all) of doing something
useful and charitable, was welcomed by her with a real satisfaction.
She sat by the Dravidian’s mattress, talked to him, gave him what
he asked for, did the disagreeable jobs that have to be done in the
sick-room, ordered my Uncle Spencer and the others about, and seemed
completely happy.
For his part, my Uncle Spencer was delighted by what he regarded as a
reversion to her true self. There could be no doubt about it now: Emmy
was good, was kind, a ministering angel, and therefore (in spite of the
professor’s heroic though profligate duke), therefore pure, therefore
interesting, therefore worthy of all the love he could give her. He
forgot the confession, or at least he ceased to attach importance to
it; he was no longer haunted by the odious images which too much
brooding over it evoked in his mind. What convinced him, perhaps,
better than everything of her essential goodness, was the fact that
she was once more kind to him. Her young energy, fully occupied in
practical work (which was not, however, sufficiently trying to overtax
the strength or set the nerves on edge), did not have to vent itself
in laughter and mockery, as it had done when she recovered from the
mood of melancholy which had depressed it during the first days of her
imprisonment. They were fellow-workers now.
The Dravidian, meanwhile, grew worse and worse, weaker and weaker every
day. The doctor was positively irritated.
“The man has no business to be so ill as he is,” he grumbled. “He’s not
old, he isn’t an alcoholic or a syphilitic, his constitution is sound
enough. He’s just letting himself die. At this rate he’ll never get
past the crisis.”
At this piece of news Emmy became grave. She had never seen death at
close quarters--a defect in her education which my Uncle Spencer, if
he had had the bringing up of her, would have remedied. For death was
one of those Realities of Life with which, he thought, every one ought
to make the earliest possible acquaintance. Love, on the other hand,
was not one of the desirable Realities. It never occurred to him to ask
himself the reason for this invidious distinction. Indeed, there was no
reason; it just was so.
“Tell me, Uncle Spenny,” she whispered, when the doctor had gone, “what
_does_ really happen to people when they die?”
Public-domain text, read in full here on John Shaqi.
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