Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)Shelley, Mary Wollstonecraft
Science
Lives of the most eminent literary and scientific men of France, Vol. 1 (of 2)
Shelley, Mary Wollstonecraft
Authors, French -- Biography
Purity of feeling however was the soul of the system. Authors and poets
were admitted as admirers, but they never got beyond the villa of _Jolis
Vers_. When Voiture, who had glorified Julie d'Angennes his life-long,
ventured to kiss her hand, he was thrown from the fortifications of the
castle of _Petit Soins_, and soused into the lake of Indifference: even
her noble admirer, the duke Montauzier, was forced to paddle on the
river of Inclination, for fourteen years[35], before he was admitted to
the city of Tenderness, and allowed to make her his wife. Their style of
life was as eccentric as their talk. The lady rose in the morning,
dressed herself with elegance, and then went to bed. The French bed,
placed in an alcove, had a passage round it, called the _ruelle_; to be
at the top of the _ruelle_ was the post of honour; and Voiture, under
the title of _Alcovist_, long held this envied post, beside the pillow
of his adored Julie, while he never was allowed to touch her little
finger. The folly had its accompanying good. The respect which the women
exacted, and the virtue they preserved, exalted them, and in spite of
their high-flown sentiments, and metaphysical conceits, wits did not
disdain to "put a soul into the body of" nonsense. Rochefoucauld,
Menage, madame de Sévigné, madame Des Houillères, Balzac, Vaugelas,
and others, frequented the Hôtel de Rambouillet, and lent the aid of
their talents to dignify their _galimathias_.
But it was too much for the honest comic poet to bear. He perceived the
whole of society infected--nobles and prelates, ladies and poets,
marquisses and lacqueys, all wandered about the _Pays de Tendre_, lost
in a very labyrinth of inextricable nonsense. They assumed fictitious
names[36], they promulgated fictitious sentiments; they admired each
other, according as they best succeeded in being as unnatural as
possible. Molière stripped the scene and personages of their gilding in
a moment. His fair _Précieuses_ were the daughters of a _bourgeois_
named Gorgibus, who quitted their homely names of Cathos and Madelon,
for Aminte and Polixene, dismissed their admirers for proposing to marry
them, scolded their father for not possessing _le bel air des choses_,
and are taken in by two valets whom they believe to be nobles, who
easily imitate the foppery and sentimentalism, which these young ladies
so much admire.[37]
[Sidenote: 1659.
Ætat.
37.]
Public-domain text, read in full here on John Shaqi.
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