Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo GaddiVasari, Giorgio
History
Lives of the Most Eminent Painters Sculptors and Architects, Vol. 01 (of 10): Cimabue to Agnolo Gaddi
Vasari, Giorgio
Art, Italian; Artists -- Italy -- Biography
VIII. V. DIE VI. APRILIS IN RESURRECTIONE DOMINI, KAROLUS
FRANCORUM REX A ROMA REVERTENS, INGRESSUS FLORENTIAM, CUM MAGNO
GAUDIO ET TRIPUDIO SUSCEPTUS, CIVIUM COPIAM TORQUEIS AUREIS
DECORAVIT ... ECCLESIA SANCTORUM APOSTOLORUM ... IN ALTARI INCLUSA
EST LAMINA PLUMBEA, IN QUA DESCRIPTA APPARET PRAEFATA FUNDATIO ET
CONSECRATIO FACTA PER ARCHIEPISCOPUM TURPINUM, TESTIBUS ROLANDO ET
ULIVERIO.
The aforesaid edifice of the Duomo in Pisa, awaking the minds of many to
fair enterprises throughout all Italy, and above all in Tuscany, was the
cause that in the city of Pistoia, in the year 1032, a beginning was
made for the Church of S. Paolo, in the presence of the Blessed Atto,
Bishop of that city, as may be read in a contract made at that time,
and, in short, for many other buildings whereof it would take too long
to make mention at present. I cannot forbear to say, however, following
the course of time, that afterwards, in the year 1060, there was erected
in Pisa the round church of S. Giovanni, opposite the Duomo and in the
same square. And something marvellous and almost wholly incredible is to
be found recorded in an old book of the Works of the said Duomo, namely,
that the columns of the said S. Giovanni, the pillars, and the vaulting
were raised and completed in fifteen days and no more. In the same book,
which anyone can see who has the wish, it may be read that for the
building of this church there was imposed a tax of one danaio for each
fire, but it is not said therein whether of gold or of small coin; and
at that time there were in Pisa, as may be seen in the same book, 34,000
fires. Truly this work was vast, of great cost, and difficult to
execute, and above all the vaulting of the tribune, made in the shape of
a pear and covered without with lead. The outer side is full of columns,
carvings, and groups, and on the frieze of the central door is a Jesus
Christ with the twelve Apostles in half-relief, after the Greek manner.
Public-domain text, read in full here on John Shaqi.
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